Uptown Funkytown Cover Image

Uptown Funkytown: 2-Part Choral Octavo

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Uptown Funkytown Cover Image

Uptown Funkytown: 2-Part Choral Octavo

Words and music by Philip Lawrence, Bruno Mars, Devon Gallaspy, Lonnie Simmons, Nicholaus Williams, Ronnie Wilson, Mark Ronson, Rudolph Taylor, Jeff Bhasker, Robert E. Wilson, Charles K. Wilson, Steve Greenberg / arr. Jack Zaino

Item: 00-52371

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Description
What happens when "Uptown Funk" takes a turn into "Funkytown?" Buckle up for a three-minute mashup that blends pop swagger with disco energy. Both songs are introduced on their own---with playful hints of the other---before kicking into high gear when they join forces. This full-throttle, funk-fueled joyride features bright choral harmonies and hip syncopated rhythms, supported by a thumping bassline. Add hot horn and rhythm parts for a pedal-to-the-metal performance!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Uptown Funkytown: 2-Part Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081617718
SKU: 00-52371

More about this title

About the Composer: Philip Lawrence

Philip Lawrence co-wrote "Uptown Funk" with Mark Ronson and Bruno Mars, a track that dominated charts worldwide and earned a Grammy Award for Record of the Year. Beyond his work as a composer and lyricist, Lawrence has become a sought-after collaborator in pop music, contributing to high-profile projects across multiple genres. His skill at crafting hooks and rhythmic sophistication makes his compositions especially valuable in choral arrangements.

Why we love this

Jack Zaino's mashup captures something genuinely fun without sacrificing musicality. The arrangement respects both source songs while building to a moment where they collide with real energy, giving singers a tangible payoff for their work. That combination of structural clarity, infectious groove, and genuine fun makes this one directors return to year after year.

What to expect

Pure kinetic energy. The piece opens with cool restraint, then gradually stokes the fire until both songs are firing at once in a groove that feels inevitable and celebratory. It's the musical equivalent of a dance floor getting packed.

Who it's for

Any choir working at the 2-part level who can handle rhythmic precision and wants to program something with genuine swagger. This works equally well for middle school, high school, or community ensembles looking for a concert piece that audiences actually recognize and enjoy.

How to get the most out of it

  • Lock the rhythmic pulse tight between your singers and the rhythm section. These songs live and die by syncopation, so deliberate rehearsal of the syncopated figures against straight accompaniment will pay dividends.
  • Shape the dynamic arc across the mashup's three minutes so the transition into the full ensemble blend feels like an actual build, not just a sudden key change. Let the first minute breathe a little.
  • Balance the vocals so the harmonic color reads clearly even when the horn parts enter. With so much textural weight coming from the band, your singers need clear diction and good blend to avoid getting buried.

How to use it

Perfect as a closer or second-to-last piece on a concert. Audiences love recognizing the source material, and the high energy carries through to applause without needing anything heavier afterward. If you're programming a spring or pops concert, this anchors the fun without feeling gimmicky.

Skills your students will build

  • Syncopated rhythm reading and execution (including syncopation against straight accompaniment)
  • Blend and balance in 2-part harmony with dense instrumental accompaniment
  • Stylistic interpretation of contemporary pop and disco idioms
  • Vocal precision in fast, rhythmically complex passages

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