Uptown Funkytown: SSA Choral Octavo
Words and music by Philip Lawrence, Bruno Mars, Devon Gallaspy, Lonnie Simmons, Nicholaus Williams, Ronnie Wilson, Mark Ronson, Rudolph Taylor, Jeff Bhasker, Robert E. Wilson, Charles K. Wilson, Steve Greenberg / arr. Jack Zaino
Item: 00-PO-0007908
Minimum order quantity: 20 copies
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Uptown Funkytown: SSA Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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More about this title
About the Composer: Philip Lawrence
Philip Lawrence is a songwriter and producer who co-wrote "Uptown Funk" with Bruno Mars, the 2014 hit that became a global phenomenon. His work spans pop songwriting, production, and arrangement, with a strong command of groove-based rhythms and contemporary vocal harmony. Lawrence has contributed to the modern pop canon while maintaining deep roots in funk and R&B traditions.
Why we love this
This arrangement captures the infectious swagger of two massive hits without relying on vocal pyrotechnics or unison singing to land the fun. The mashup structure gives your singers two distinct musical identities to explore before the payoff arrives, and the included instrumental parts transform this from a vocal feature into a full ensemble experience that builds real energy in performance.
What to expect
Pure joy wrapped in syncopation. The piece pulses with the kind of groovy confidence that makes audiences want to move, building from two separate musical worlds into a unified, exhilarating collision. Your singers get to embody modern pop attitude while navigating intricate rhythmic figures and lush harmonies.
Who it's for
Choirs with solid reading skills and comfort in contemporary pop idiom will thrive with this piece. It works equally well for high school choirs seeking showstopping concert repertoire and community or college ensembles that value fun alongside musicianship.
How to get the most out of it
- Lock the rhythmic feel early. The syncopated lines in both songs demand precision, especially where the horn and rhythm parts land. Have your singers practice clapping the backbeat while singing to internalize the groove.
- Balance the three voices so the top line doesn't overwhelm the harmonies beneath it. SSA voicing can push sopranos into the spotlight, but the richness of this piece lives in how the parts stack together.
- Use the recorded accompaniment during rehearsal to anchor the syncopation, but pull it back during the final polishing phase so singers develop confidence carrying the rhythm on their own.
- Bring the disco energy out in the second half without losing the funkiness of the first. These are two different feels living in the same song, and the transition is where the arrangement really shines.
How to use it
Program this as a set closer or act finale when you need to send the audience out energized. Its 3-minute duration and built-in crowd appeal make it an ideal palate cleanser between serious repertoire, and the optional horn and rhythm parts give you flexibility to scale the arrangement up or down depending on your available musicians.
Skills your students will build
- Syncopated rhythm reading and execution in pop idiom
- Balancing independence within SSA voicing textures
- Sustaining groove feel while managing precise harmonic placement
- Navigating tempo and feel shifts within a single piece