United We Stand (An American Medley) Cover Image

United We Stand (An American Medley): Choral Instrumental Parts

$35.00 USD
Sale price  $35.00 USD Regular price 
Skip to product information
United We Stand (An American Medley) Cover Image

United We Stand (An American Medley): Choral Instrumental Parts

Arr. Sally K. Albrecht and Jay Althouse

Item: 00-21192

makemusic Cloud badge

Need it now?

Buy Digital Version
$35.00
Shipped

One moment…

Description
This stirring tribute to America is the perfect finale for your upcoming concert. After a stunning opening fanfare, excerpts of "Simple Gifts," "America, the Beautiful," "America," and the chorus of "Battle Hymn" are presented, leading up to a big final statement of the fanfare. The audience may also sing along on two sections of the choral. All three voicings are compatible, making this the perfect choice for a festival or joint finale. Add the full Concert Band arrangement and/or the StringPax and get your entire school involved. A SoundPax for brass and percussion is also available.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, United We Stand (An American Medley): Choral Instrumental Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 124
UPC: 038081201320
SKU: 00-21192
Instrumentation: StringPax

More about this title

About the Arranger: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped choral music education for over three decades, first as Director of School Choral, Vocal, and Elementary Publications at major educational publishers including Alfred Music, and throughout her career as a prolific composer and arranger. With more than 600 choral publications and 75 larger works in print, she has earned ASCAP Special Music Awards annually since 1987 and conducted honor choirs at Lincoln Center, Carnegie Hall, and The Kennedy Center.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979), and has taught at Oakland University, Jersey City State College, and Meredith College. A native of Cleveland, Ohio, she has received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, where she serves on the Board of Trustees. She currently resides in Wake Forest, North Carolina, with her husband, composer and arranger Jay Althouse.

Why we love this

Albrecht and Althouse have crafted an arrangement that harnesses the emotional power of familiar American melodies without requiring exhausting vocal range or technical demands. The structure builds brilliantly toward that final fanfare statement, giving your ensemble and audience a shared moment of genuine celebration. Three compatible voicings mean you can program this with singers of different abilities and still achieve full, confident sound.

What to expect

This medley opens with a bright, martial fanfare that immediately signals occasion and ceremony. As familiar melodies unfold, you move through the gentle reverence of "Simple Gifts," the soaring hope of "America, the Beautiful," and the steadfast conviction of "Battle Hymn," before that same fanfare returns transformed by everything that came before it.

Who it's for

Choirs of any size working with a concert band, orchestra, or both can use this flexible arrangement for a patriotic closer. It works equally well for school concerts, civic events, festivals, and celebrations where mixed-ability singers need accessible parts that still sound impressive.

How to get the most out of it

  • Prepare your singers to lead the audience participation sections with clear, confident tone. These moments work best when the choir sings with enough presence that listeners feel invited, not obligated, to join in.
  • Balance the fanfare sections carefully with your instrumental partners. The brass and percussion arrangements are designed to support, not overpower, the vocal line.
  • Rehearse the transitions between medley excerpts as a cohesive whole rather than treating each song in isolation. This maintains the medley's forward momentum and prevents the arrangement from feeling like a string of separate pieces.

How to use it

Reserve this for your finale slot when you want to send an audience home uplifted. It's particularly effective at the conclusion of a patriotic or Americana-themed concert, or as the closing number for a multi-ensemble program where band, orchestra, and choir all participate. Program it when you have at least one full rehearsal with all instrumentalists present.

Skills your students will build

  • Singing over instrumental accompaniment in a large ensemble setting
  • Entering and exiting parts clearly during a medley structure
  • Maintaining vocal control across multiple familiar melodies with distinct musical characters
  • Ensemble balance when singing alongside brass and string sections
  • Performing audience participation sections with appropriate projection and engagement

You May Also Like