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Un Ballo in Maschera (complete): Serious Opera, Orchestra Accompaniment, Full Score

$275.00 USD
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Un Ballo in Maschera (complete) Cover Image

Un Ballo in Maschera (complete): Serious Opera, Orchestra Accompaniment, Full Score

By Giuseppe Verdi, Libretto by Antonio Somma

Item: 36-A234601

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Description
Un Ballo in Maschera (A Masked Ball) is an 1859 three act opera by Giuseppe Verdi (1813-1901) with a libretto by Antonio Somma. Initially based on Eugène Scribe’s libretto for Daniel Auber’s 1833 five act opera Gustave III, ou Le bal masqué about the assassination in 1792 of King Gustav III of Sweden who was shot while attending a masked ball, Verdi’s version ran afoul of numerous censorship regulations in Naples, Rome, and France. As a result, the opera underwent a series of significant transformations and title changes, among which include the eventual change in setting from Stockholm, Sweden to Boston, Massachusetts during the colonial era. Taking over two years from commission to production, it became one of the most frustrating experiences of Verdi’s career. The opera is now a regular part of the opera repertory. Instrumentation: 2(2nd dPicc).2+EH.2.2: 4.2.3.1: Timp.Perc(2): Hp: Str(4.4.3.3.3 in set): Vocal Soli (10 roles, SSATTTBBBB): Chorus: Banda.

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Additional Details
Series: Kalmus Opera Library
Publisher: Keiser Productions, Inc.
ISBN10: 1-58-106787-9
ISBN13: 978-1-58-106787-3
UPC: 746241220608
SKU: 36-A234601
Instrumentation: 2(2nd dPicc).2+EH.2.2: 4.2.3.1: Timp.Perc(2): Hp: Str(4.4.3.3.3 in set): Vocal Soli (10 roles, SSATTTBBBB): Chorus: Banda

More about this title

About the Composer: Giuseppe Verdi

Giuseppe Verdi (1813-1901) stands as the dominant figure in nineteenth-century Italian opera, a composer whose works defined the genre for generations. His career spanned nearly six decades, during which he navigated the treacherous intersection of artistic vision and political censorship, emerging with an output of 28 operas that remain central to the repertory. Verdi's mastery lay in his gift for memorable melody, dramatic pacing, and orchestration that serves the voice without overwhelming it; his operas reward both audiences seeking immediate emotional impact and musicians willing to dig into their structural sophistication.

By the time he composed Un Ballo in Maschera in 1859, Verdi had already secured his place as Italy's most performed composer. This opera represents his mature style in full command, written when he could dictate terms to impresarios and librettists alike, yet it also showcases his willingness to adapt and revise in response to practical demands. His influence on opera composition remains immeasurable; every subsequent composer of the genre reckoned with his example.

Why we love this

Un Ballo in Maschera contains some of Verdi's most singable and dramatically direct writing. The full score reveals an orchestra that enhances rather than competes with the voices, making it a genuinely rewarding experience for ensemble musicians who might otherwise feel buried in the pit. The opera's narrative tensions (conspiracy, political allegiance, forbidden love) unfold with crystalline clarity, allowing singers and players to invest in genuine dramatic stakes without wrestling interpretive obscurity.

What to expect

The opera crackles with intrigue and passion. Verdi's orchestration balances elegance with urgency; the masked ball scenes shimmer with sophisticated rhythmic vitality, while the conspirators' plotting trades in tense, propulsive accompaniment. Beneath the surface formality runs a current of genuine jeopardy and human yearning, captured in soaring melodic lines that sit naturally in the voice and linger in memory long after the final curtain.

Who it's for

This score serves opera companies, university opera programs, and orchestras prepared to mount a complete three-act work with a full complement of soloists and a trained chorus. It demands experienced orchestral musicians (particularly in the woodwind and brass sections) and singers who can navigate Verdi's tessituras with security. Programming Un Ballo in Maschera signals serious operatic ambition; it is not a training piece but a realized masterwork.

How to get the most out of it

  • Establish firm coordination between the maestro and the concertmaster early in rehearsal; the work's dramatic pacing depends on precise entrances and cutoffs across the full ensemble, particularly in the conspirator scenes and the climactic Act III.
  • Balance the banda (band within the orchestra) so it articulates its independent musical material without overwhelming the main ensemble; Verdi wrote this instrumentation deliberately for theatrical effect.
  • Attend carefully to the choral parts, which carry significant dramatic weight; the chorus functions almost as a character, and its rhythmic precision directly affects ensemble cohesion throughout.
  • Shape legit lines across the accompaniment: long string phrases in the lyrical scenes require careful breath-like phrasing, not mechanical uniformity.

How to use it

Consider mounting this work as a full-scale season centerpiece rather than an experiment; its emotional and musical complexity rewards serious rehearsal investment and gives singers and players alike something substantial to build ensemble pride around. The opera works effectively when programmed to showcase your ensemble's technical maturity and your singers' individual strengths. A complete performance typically runs approximately three hours with intermissions, making it suitable for dedicated opera subscriptions or special concert series.

Skills your students will build

  • Coordinating large ensemble sections across multiple instrumental and vocal lines
  • Reading and executing complex rhythmic patterns in dramatic contexts
  • Balancing transparency between accompaniment and solo line in varied orchestral textures
  • Responding to dramatic intent through musical nuance in repetition and variation
  • Managing sustained musical intensity across extended scenes

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