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Un Ballo in Maschera (complete): Serious Opera, Orchestra Accompaniment, Score and Parts

$950.00 USD
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Un Ballo in Maschera (complete) Cover Image

Un Ballo in Maschera (complete): Serious Opera, Orchestra Accompaniment, Score and Parts

By Giuseppe Verdi, Libretto by Antonio Somma

Item: 36-A234602

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Description
Un Ballo in Maschera (A Masked Ball) is an 1859 three act opera by Giuseppe Verdi (1813-1901) with a libretto by Antonio Somma. Initially based on Eugène Scribe’s libretto for Daniel Auber’s 1833 five act opera Gustave III, ou Le bal masqué about the assassination in 1792 of King Gustav III of Sweden who was shot while attending a masked ball, Verdi’s version ran afoul of numerous censorship regulations in Naples, Rome, and France. As a result, the opera underwent a series of significant transformations and title changes, among which include the eventual change in setting from Stockholm, Sweden to Boston, Massachusetts during the colonial era. Taking over two years from commission to production, it became one of the most frustrating experiences of Verdi’s career. The opera is now a regular part of the opera repertory. Instrumentation: 2(2nd dPicc).2+EH.2.2: 4.2.3.1: Timp.Perc(2): Hp: Str(4.4.3.3.3 in set): Vocal Soli (10 roles, SSATTTBBBB): Chorus: Banda.

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Additional Details
Series: Kalmus Opera Library
Publisher: Keiser Productions, Inc.
UPC: 660355007972
SKU: 36-A234602
Instrumentation: 2(2nd dPicc).2+EH.2.2: 4.2.3.1: Timp.Perc(2): Hp: Str(4.4.3.3.3 in set): Vocal Soli (10 roles, SSATTTBBBB): Chorus: Banda

More about this title

About the Composer: Giuseppe Verdi

Giuseppe Verdi (1813-1901) stands as the defining voice of Italian opera in the nineteenth century. His career spanned nearly six decades and produced works that fundamentally shaped what opera could express: the human capacity for passion, sacrifice, and moral reckoning. From Rigoletto to La Traviata to Otello, Verdi mastered the orchestral palette while keeping the human voice at the emotional center of his art.

Why we love this

Un Ballo in Maschera showcases Verdi at his most dramatically inventive, wrestling with censorship to create a work of genuine power. The score demands virtuosity from singers and orchestra alike while maintaining the direct emotional communication that makes his music so teachable. Mounting this opera gives musicians access to nineteenth-century operatic grandeur without sacrificing the clarity and drive that make Verdi's music immediately engaging.

What to expect

Un Ballo in Maschera pulses with aristocratic intrigue and suppressed desire beneath its glittering surface. The music moves between moments of lyrical beauty (particularly in the soprano and tenor arias) and explosive dramatic confrontation, all of it propelled by Verdi's gift for direct, memorable melody. The masked ball provides the score's theatrical centerpiece: a collision of gaiety and darkness that feels both inevitable and shocking.

Who it's for

This score and parts edition serves opera companies, university opera programs, and orchestras committed to producing the complete Verdi repertory. Conductors need strong command of large operatic scores, singers must possess substantial vocal technique across a broad range of dramatic and lyrical roles, and orchestras benefit from prior experience with Romantic-era Italian opera.

How to get the most out of it

  • Balance the banda (stage band) carefully during the masked ball scene; it should enhance rather than overwhelm the orchestral texture, and the players need clear conducting or a timed click to stay synchronized with the main ensemble.
  • Establish the three-act structure rhythmically and dramatically before rehearsal begins; the work's power depends on recognizing how Verdi builds tension across the entire evening.
  • Coordinate closely with the vocal director on tempos and cadential moments, since singers carry the primary dramatic line and the orchestra must support their phrasing rather than imposing its own.
  • Pay attention to the woodwind doublings and the English horn passages; these colors define much of the opera's character and need clarity in the orchestral mix.

How to use it

Program this complete opera as a three-act evening or, for shorter concert presentations, feature the overture and a selection of major arias and ensemble pieces that showcase its dramatic range. The work anchors a season exploring Italian operatic tradition and demonstrates how Verdi adapted European subject matter to create something distinctly his own.

Skills your students will build

  • Conducting large opera scores with multiple vocal soloists and chorus
  • Reading dense orchestration across five woodwinds, four horns, three trombones, and expanded string sections
  • Maintaining ensemble cohesion across long dramatic arcs and quick tempo changes
  • Balancing operatic voices with orchestral accompaniment while preserving dramatic clarity
  • Coordinating multiple pit sections (orchestra, banda, chorus) in real time

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