U.Play.Plus: Pops Cover Image

U.Play.Plus: Pops: Percussion Book

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U.Play.Plus: Pops Cover Image

U.Play.Plus: Pops: Percussion Book

A Plus B, C, or D (Solo-Duet-Trio-Quartet) with Optional Accompaniment and Optional CD accompaniment

Arr. Victor López

Grade: 2.5-3

Item: 00-36415

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Description
The U.Play.Plus Series, arranged by Victor López, provides solos, duets, trios, quartets, and larger ensembles with flexible instrumentation. Each book has a two-line score for every title. The top line (A) is the melody. The second line (B, C, or D) may be played as a duet with line A and is one of the four-part harmony lines. Adding instruments with B, C, and D lines will complete the harmony. Cue notes are included to fill in missing parts. Woodwinds, brass, strings, and percussion may play together, with or without the rhythm section accompaniment (Piano/Guitar/Score book) or the CD. The CD includes a concert B-flat tuning note and two tracks for each song. The first is a demonstration track, and the second is the rhythm section accompaniment (piano, guitar, electric bass, and drums). Titles: Billie Jean * Blitzkrieg Bop * Don't Stop Believing * Eye of the Tiger * Hey! Baby! * Know Your Enemy * Let's Get Loud * Open Arms * (I Can't Get No) Satisfaction * Wizard Wheezes (From Harry Potter and the Half-Blood Prince) * You Raise Me Up.

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Additional Details
Series: U.Play.Plus
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-7395-8
ISBN13: 978-0-7390-7395-7
UPC: 038081403267
SKU: 00-36415
Instrumentation: Percussion

More about this title

About the Arranger: Victor López

Victor López is an arranger and composer with a distinctive gift for making contemporary music accessible to young musicians. His work across multiple series demonstrates a deep understanding of how students learn best when playing repertoire that excites them.

Why we love this

López has arranged songs that students actually want to play, and he's done it without sacrificing musicianship. The two-line score design means a small group can sound full while still giving every percussionist a meaningful part, and the harmony construction allows ensembles to grow organically as more players join in.

What to expect

These arrangements pulse with contemporary energy. Whether students are driving the rhythm section on 'Eye of the Tiger' or finding their voice in the layered harmonies of 'You Raise Me Up,' the music stays vibrant and engaging throughout.

Who it's for

Percussion students in middle school and early high school programs who benefit from playing recognizable songs alongside their instrumental colleagues in mixed ensembles. Teachers will find this book invaluable for bridging the gap between percussion-only exercises and ensemble integration.

How to get the most out of it

  • Listen to the demonstration track first as a group so everyone hears the groove and phrasing before rehearsing. This saves time and builds confidence.
  • Lock the rhythm with the recorded accompaniment during early rehearsals; once the parts are secure, rehearse without it to develop independence.
  • Balance your percussion lines so the melody (line A) cuts through the harmonic parts. This prevents the arrangement from becoming muddy.
  • Adjust your instrumentation based on what you have available. Cue notes ensure no part gets left behind even if certain percussion voices aren't present.

How to use it

Use these titles as stepping stones when introducing mixed instrumental ensembles. Start with smaller groupings using just the rhythm section accompaniment, then gradually add woodwinds and brass as confidence builds. They work equally well as standalone pop concert items or as interludes within more traditional programs.

Skills your students will build

  • Reading two-line scores with flexible instrumentation
  • Balancing melody and harmony parts in mixed ensemble contexts
  • Coordinating rhythmic parts with recorded accompaniment
  • Adapting parts based on available instrumentation using cue notes
  • Interpreting pop and rock grooves with percussive precision

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