Two Score March Cover Image

Two Score March: Concert Band Conductor Score

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Two Score March Cover Image

Two Score March: Concert Band Conductor Score

By Thomas Knox

Grade: 4

Item: 36-10105309

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Description
Two Score March was composed for Lt. Col. Charles Erwin on the occasion of his retirement after forty years with the United States Marine Band (hence the title). He was the solo cornetist for the band when Thomas Knox became a member of the section.  It is a perfect selection for the advancing band looking for more variety in their march programming.

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Additional Details
Series: LudwigMasters Symphonic Band
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-887052-7
ISBN13: 978-1-63-887052-4
UPC: 753625181226
SKU: 36-10105309
Instrumentation: Symphonic Band

More about this title

About the Composer: Thomas Knox

Thomas Knox served as a member of the United States Marine Band's cornet section and developed a compositional voice rooted in the American band tradition. His work reflects both his performance background and his understanding of what advancing ensembles need to grow musically and technically.

Why we love this

Knox wrote this march with genuine historical purpose: honoring a colleague's four decades of service to the Marine Band. That specificity shows in the writing. It gives your band a substantial Grade 4 march that feels earned rather than generic, with enough musical interest to keep advanced players engaged while remaining accessible enough that the ensemble can focus on stylistic precision.

What to expect

Two Score March carries the formality and measured dignity you'd expect from a Marine Band tribute, with straightforward melodic statements and confident harmonic progressions. The writing is direct and well-crafted, honoring tradition without sentiment.

Who it's for

This score is designed for concert band directors working with advancing ensembles that have solid fundamentals and want to expand their march repertoire beyond the standard fare. It suits bands preparing for festival programming or concert seasons where a quality march is needed without sacrificing musical substance.

How to get the most out of it

  • Balance the melodic material across your brass section so the march's character remains clear even when textures thicken. Knox tends to distribute themes rather than concentrate them in a single voice.
  • Shape phrases with intentional rubato in the pickup figures. Military march style doesn't mean metronomic; allow slight breathing room in the approach to cadential moments.
  • Maintain crisp articulation in the woodwind counterpoint, especially in the trio. This march rewards the clarity of independent lines rather than a blended wash.

How to use it

Open a concert with this march when you want an audience to settle into attentive listening. Its Grade 4 accessibility makes it an ideal choice for mid-season programming when your ensemble has reached secure technical footing but before the most demanding repertoire.

Skills your students will build

  • Balancing independent melodic lines in ensemble texture
  • Executing military march style with appropriate phrasing and articulation
  • Reading standard concert band voicing and transposition
  • Managing sustained tone quality across full band dynamic range

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