Turning the Page Cover Image

Turning the Page: SATB Choral Octavo

$1.80 USD
Sale price  $1.80 USD Regular price 
Skip to product information
Turning the Page Cover Image

Turning the Page: SATB Choral Octavo

Words by Patrice Villines, music by Tim Hayden

Item: 00-37942

makemusic Cloud badge

Need it now?

Buy Digital Version
$1.80
Shipped

One moment…

Description
A gentle pop groove provides the ideal backdrop for this contemporary choral with a symbolic text. Especially appropriate for singers soon to move on to the next chapter in their lives.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Turning the Page: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081424149
SKU: 00-37942

More about this title

About the Composer: Tim Hayden

Tim Hayden

Tim Hayden's career spans three decades of musical work across Nashville, cruise ships, and theme parks. He founded Ned's Place Recording, a publishing company and studio that has produced tracks for major venues including Opryland Hotel and Lee Greenwood's Theater in Pigeon Forge. His experience ranges from directing theatrical productions at the Ryman Auditorium (including Bye Bye Love and Forever, Patsy Cline) to performing on the Grand Ole Opry and appearing on television programs such as The Tonight Show with Jay Leno.

Beyond his studio and performance work, Hayden remains active as a songwriter and music minister. His composition "Alleluia, Alleluia (Peace to All Men)" was recorded by a major-label artist for a Christmas album in 2006. He currently serves as choir director and music minister at LaVergne First United Methodist Church in Tennessee.

Why we love this

This piece captures a genuine musical moment without sentimentality. The pop groove sits naturally under the text, giving singers a contemporary sound that feels current rather than trendy, while the symbolic message about transition resonates with graduating classes and singers entering new phases. The 12-page octavo length allows for full musical development without demanding excessive rehearsal time.

What to expect

The gentle pop groove creates an intimate, forward-looking atmosphere. There's encouragement in the music without false brightness, and the contemporary sound acknowledges where singers actually live musically while the text grounds the moment in genuine reflection.

Who it's for

This octavo speaks directly to mixed choirs marking transitions: graduations, year-end concerts, or moments when singers are genuinely moving forward. It also serves any SATB ensemble seeking contemporary secular repertoire that avoids cynicism and maintains musical substance.

How to get the most out of it

  • Keep the groove pocket relaxed and conversational; the pop style works against rigid or overdetermined rhythms. Let the accompaniment establish the pocket first, then ease the choir into it.
  • Balance the parts so the text remains clear; pop grooves can muddy if too many voices push equally hard. Feature the soprano and alto lines through the verses.
  • Use the recorded accompaniment to build confidence in singers learning this contemporary style; many choirs are more familiar with traditional choral textures and benefit from hearing how the arrangement sits.

How to use it

Program this near the end of a concert where its message carries weight, or pair it with other transitional repertoire for a thematic set about growth and change. The accessible pop groove and moderate length make it an excellent closer that leaves audiences with a contemporary sound and meaningful subtext.

Skills your students will build

  • Singing pop and contemporary vocal styles with authentic groove
  • Balancing voice parts while maintaining clarity of text
  • Responding to a recorded accompaniment with precision and flexibility
  • Interpreting symbolic text in a musical context

You May Also Like