Tuimbe (Let There Be Music): 3-Part Choral Octavo

Waggoner crafts genuine rhythmic and textural interest without overwhelming a developing choir. The combination of layered English and Swahili text creates an authentic multicultural learning moment while the buoyant energy makes this piece genuinely fun to rehearse and perform.

Buoyant and celebratory, with an infectious rhythmic pulse beneath soaring text painting. The layering of languages and melodies creates a sense of inclusivity and communal joy without sacrificing musical sophistication.

SAB and 3-part mixed choirs looking for accessible repertoire with genuine personality. This piece works equally well for middle school and high school choirs, community ensembles, and church choirs seeking contemporary arrangements with cultural substance.

• Balance the two texts carefully in rehearsal by isolating the Swahili chant separately, then gradually layer in the English melody line so each part can hear its role within the whole.
• Keep the rhythmic chant crisp and propulsive; this piece gains its character from groove and texture rather than legato singing.
• Use the recorded accompaniment to establish the groove and harmonic foundation, then gradually reduce its volume as your choir builds confidence in the parts.
• Shape the proclamations of 'Let there be music' with genuine conviction; they should feel like statements, not afterthoughts.

Program this as an energetic centerpiece on concerts focused on world music, cultural diversity, or contemporary choral writing. Its moderate length and uplifting message also make it an excellent choice for community events, multicultural celebrations, or any program needing a mood-lifting middle section.

• Layering independent vocal lines (melody with rhythmic ostinato)
• Performing text in a non-English language (Swahili pronunciation and rhythmic accuracy)
• Maintaining a steady rhythmic pulse while singing a moving melody against it
• Balancing blend when multiple textures occur simultaneously