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Try a Little Tenderness: SSA Choral Octavo

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Try a Little Tenderness Cover Image

Try a Little Tenderness: SSA Choral Octavo

Words and music by Harry Woods, Jimmy Campbell, and Reg Connelly / arr. Kirby Shaw

Item: 00-46462

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Description
This slow, soulful setting of the Otis Redding classic builds to a marvelous final chord. Classic Kirby Shaw!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Try a Little Tenderness: SSA Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 8
UPC: 038081528410
SKU: 00-46462

More about this title

About the Composer: Harry Woods

Harry Woods (1896-1970) was a prolific Tin Pan Alley songwriter whose melodies defined the American popular song tradition. He composed hundreds of standards across Broadway, film, and radio, often collaborating with lyricists to craft unforgettable hooks that have endured for nearly a century.

Why we love this

Kirby Shaw's arrangement captures the emotional depth of this soul classic while keeping the voicing accessible for developing SSA choirs. The trajectory toward that final chord gives singers a genuine musical payoff, transforming a familiar pop standard into a meaningful choral moment.

What to expect

Soulful and intimate, this arrangement honors the original's slow-burning intensity while settling into SSA harmony. The journey builds naturally from vulnerability to a soaring final moment that leaves both singers and listeners moved.

Who it's for

This octavo suits SSA or SSAA choirs with intermediate to advancing sight-reading skills who want to program a contemporary pop classic with emotional substance. It works equally well for chamber choirs and larger ensembles seeking repertoire that connects with both singers and audiences.

How to get the most out of it

  • Shape the dynamic arc carefully through the middle section so the final chord lands with real weight and doesn't feel abrupt.
  • Use the recorded accompaniment to anchor intonation during rehearsals, then gradually reduce dependence on it to build confidence.
  • Allow space for breath and resonance in the slower passages; resist the urge to rush even when the tempo feels contemplative.
  • Balance the alto line with care, especially where it carries important harmonic information beneath the soprano melody.

How to use it

Include this in a concert exploring the soul and pop standards repertoire, pairing it with other Kirby Shaw arrangements for stylistic consistency. It also makes a compelling feature piece midway through a concert where you want to shift energy and invite the audience into deeper listening.

Skills your students will build

  • Sustaining long-lined phrases at slower tempos
  • Balancing three-part harmony with clear voice independence
  • Responding to dynamic shaping and emotional expression
  • Managing blend in the final chord to achieve resonance

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