To the Moon and Back Cover Image

To the Moon and Back: String Orchestra Conductor Score

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To the Moon and Back Cover Image

To the Moon and Back: String Orchestra Conductor Score

By Michael Kamuf

Grade: 2

Item: 00-49900S

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Description
Beautiful melodies and rich harmonies make To the Moon and Back an excellent lyrical work for your young string orchestra. All sections will shine as melodic material is passed through the ensemble in this highly expressive piece by composer Michael Kamuf. An outstanding choice for concert and festival performances! (3:00)

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Additional Details
Series: Belwin Intermediate String Orchestra
Publisher: Alfred Music
ISBN10: 1-4706-5736-8
ISBN13: 978-1-4706-5736-9
UPC: 038081575513
SKU: 00-49900S

More about this title

About the Composer: Michael Kamuf

Michael Kamuf

Michael Kamuf earned degrees in Jazz Performance and Music Education from Youngstown State University's Dana School of Music, followed by a Master of Arts in Instrumental Conducting from George Mason University. His compositions and arrangements have been performed by prestigious ensembles including the Woody Herman and Glenn Miller Orchestras, the USAF Airmen of Note, the US Navy Commodores, and soloists such as James Moody, Eddie Daniels, and Sean Jones. He currently leads the Mike Kamuf Little Big Band, a jazz octet based in the Baltimore and Washington, DC area.

Kamuf served as Director of Bands and Orchestras at John T. Baker Middle School in Damascus, Maryland for twenty-seven years, during which his ensembles consistently earned high ratings at festivals and commissioned multiple works for young musicians. An exclusive writer for Belwin Division of Alfred Music Publishing, he maintains over 100 published titles across jazz, orchestra, and concert band catalogs, with many of his young jazz ensemble arrangements becoming standard repertoire in school programs.

Why we love this

Kamuf knows exactly how young string orchestras learn and what motivates them. The piece distributes lyrical material generously throughout the ensemble so every section gets moments in the spotlight, building confidence and investment in the performance. The expressive writing is sophisticated enough to teach nuance without overwhelming Grade 2 players, making this a smart choice for festivals where you want musicality and ensemble cohesion to stand out.

What to expect

Soaring and reflective, with melodies that feel both natural and carefully shaped. The piece invites players to sing through their instruments, creating moments of genuine musical expression rather than technical exercise.

Who it's for

Young string orchestras at the intermediate level who are ready to explore expressive playing and ensemble balance. Directors preparing for festival performances will find this piece substantial enough to impress adjudicators while remaining accessible for players still developing their technical foundation.

How to get the most out of it

  • Shape the melodic phrases through carefully controlled dynamic changes within each section. Since the melody passes from strings to strings, treat each handoff as a conversation where the incoming section slightly swells to receive the line cleanly.
  • Balance the harmonic foundation by having lower strings sustain with a steady, warm tone that supports without dominating. Encourage cellists and basses to listen for the melody and adjust their volume accordingly as it moves through the ensemble.
  • Work section by section to ensure intonation is secure before combining. Grade 2 players often struggle when transitions happen quickly, so rehearsing transitions slowly with a metronome builds confidence.
  • Use the recorded accompaniment during sectional rehearsals so players hear how their part sits within the full texture. This helps them understand their role in the overall expression.

How to use it

This works beautifully as the centerpiece of a concert or festival set featuring lyrical string writing. Program it alongside a more rhythmic or playful piece to showcase the range of your ensemble's musicality and control.

Skills your students will build

  • Phrasing and dynamic shaping across full melodic lines
  • Ensemble balance with melody in different sections
  • Sustained, singing tone production in supporting voices
  • Smooth string transitions and part independence
  • Listening skills for harmonic support and intonation matching

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