To the Moon and Back Cover Image

To the Moon and Back: String Orchestra Conductor Score & Parts

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To the Moon and Back Cover Image

To the Moon and Back: String Orchestra Conductor Score & Parts

By Michael Kamuf

Grade: 2

Item: 00-49900

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Beautiful melodies and rich harmonies make To the Moon and Back an excellent lyrical work for your young string orchestra. All sections will shine as melodic material is passed through the ensemble in this highly expressive piece by composer Michael Kamuf. An outstanding choice for concert and festival performances! (3:00)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, To the Moon and Back: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Belwin Intermediate String Orchestra
Publisher: Alfred Music
ISBN10: 1-4706-5735-X
ISBN13: 978-1-4706-5735-2
UPC: 038081575506
SKU: 00-49900

More about this title

About the Composer: Michael Kamuf

Michael Kamuf

Michael Kamuf earned degrees in Jazz Performance and Music Education from Youngstown State University, followed by a Master of Arts in Instrumental Conducting from George Mason University. His compositions and arrangements have been recorded by major jazz orchestras including the Woody Herman and Glenn Miller Orchestras, the USAF Airmen of Note, and the US Navy Commodores, as well as by acclaimed soloists like James Moody, Eddie Daniels, and Sean Jones.

Kamuf spent thirty years teaching instrumental music in Montgomery County, Maryland, where he served as Director of Bands and Orchestras and Music Department Chairperson at John T. Baker Middle School. His ensembles consistently earned high ratings at festivals and commissioned works for young concert bands. He is an exclusive composer for the Belwin Division of Alfred Music, with over 100 published works across jazz, orchestra, and concert band catalogs. Currently, he leads the Mike Kamuf Little Big Band in the Baltimore and Washington, DC area.

Why we love this

Kamuf writes with clear understanding of what young string orchestras can accomplish musically without overextending technically. The piece distributes melody throughout the ensemble so every section gets rewarding moments, and the expressive, tuneful writing keeps students engaged and motivated rather than overwhelmed by technical demands.

What to expect

Dreamy and spacious, with beautiful melodies that float through the ensemble like light traveling across the night sky. The harmonic writing is warm and full, creating a sense of wonder and quiet reflection that feels both accessible and genuinely moving.

Who it's for

Young string orchestras at the intermediate level who are ready for lyrical, ensemble-focused repertoire with genuine musical substance. This works well for groups that have developed solid bow control and the ability to play expressively, but who benefit from melodically accessible material.

How to get the most out of it

  • Shape each melodic phrase as it passes from section to section; the beauty of this piece depends on smooth, singing tone production across all players, not just those holding the main line.
  • Balance the rich harmonies carefully in your rehearsals so inner voices support without drowning out the melody; use sectional work to ensure violas and lower strings hear their harmonic role clearly.
  • Let the lyricism breathe naturally; avoid metronomic pacing, and give yourself room to shape tempos slightly within phrases to enhance the expressive quality.

How to use it

Program this as an opener or closer to a concert where you want to establish lyrical, introspective mood, or pair it with more energetic pieces to show your ensemble's range. It's ideal for festival performances where judges reward musicality and balanced ensemble playing over technical display.

Skills your students will build

  • Expressive playing and dynamic control across sustained passages
  • Transferring melodic responsibility between sections while maintaining phrase continuity
  • Ensemble balance and blend in four-part harmonic texture
  • Shaping longer melodic lines with natural phrasing and breath

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