Tinsel and Tango Cover Image

Tinsel and Tango: HybridNOW String Orchestra Conductor Score & Parts

$60.00 USD
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Tinsel and Tango Cover Image

Tinsel and Tango: HybridNOW String Orchestra Conductor Score & Parts

Wenceslas Decks the Halls

Arranged by Erica Donahoe

Grade: 2

Item: 00-50374H

$60.00
HybridNOW

Included with this title

  • Digital music NOW — instant access to the full performance set
  • Permission to COPY all parts as needed
  • Additional PRINT score delivered separately by mail
Description
Spice up your holiday concert with Tinsel and Tango, by Erica Donahoe, a fun twist on "Good King Wenceslas" and "Deck the Halls." A great chance to incorporate some early extensions, and students can focus on intonation and dynamics in this all-pizzicato piece. The running eighth notes that move throughout the sections will help keep everyone nice and steady in this holiday tango!

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Additional Details
Series: Highland String Orchestra
Publisher: Alfred Music
ISBN10: 1-4706-8692-9
ISBN13: 978-1-4706-8692-5
UPC: 038081620848
SKU: 00-50374H

More about this title

Why we love this

Donahoe finds that sweet spot between accessibility and genuine musicality. The all-pizzicato texture keeps the ensemble engaged and prevents the familiar melodies from feeling stale, while the tango rhythm gives students a rhythmic anchor they can really sink their teeth into.

What to expect

Bright and rhythmically propulsive. The tango framework gives two beloved carols a sophisticated bounce while the pizzicato strings create a sparkling, percussive character that feels modern without losing the warmth of the holiday melodies underneath.

Who it's for

String orchestras at the intermediate level who are ready for some harmonic color beyond open strings but not yet tackling full orchestral complexity. This works equally well for programs building pizzicato technique or looking to add textural variety to a December concert.

How to get the most out of it

  • Establish the tango pulse in your opening rehearsals by tapping the characteristic rhythm pattern before diving into the score. Students who feel the syncopation in their bodies will lock in much faster than those reading note by note.
  • Balance the running eighth notes across sections so they don't blur into a homogeneous wash. Assign different voices to lead certain passages and rotate the figuration so listeners can track the movement.
  • Drill the early extensions individually before sectional rehearsals. Once students own the positions, intonation becomes a shaping tool rather than a survival skill.
  • Record a run-through at tempo and play it back for the ensemble. Hearing themselves against the steady pulse reveals rhythmic drift they might not catch in real time.

How to use it

Pair this as a vivacious opener or mid-concert shift of energy, especially if your program leans heavily on reverent arrangements. The tango rhythm signals fun and sophistication in equal measure, making it an ideal bridge between stately hymn arrangements and lighter closing numbers.

Skills your students will build

  • Pizzicato articulation with rhythmic precision
  • Reading and executing early position extensions
  • Intonation awareness in shifted positions
  • Rhythmic independence while maintaining ensemble pulse
  • Dynamic shaping within a repeated melodic framework

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