Tinsel and Tango Cover Image

Tinsel and Tango: String Orchestra Conductor Score

$12.00 USD
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Tinsel and Tango Cover Image

Tinsel and Tango: String Orchestra Conductor Score

Wenceslas Decks the Halls

Arranged by Erica Donahoe

Grade: 2

Item: 00-50374S

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Description
Spice up your holiday concert with Tinsel and Tango, by Erica Donahoe, a fun twist on "Good King Wenceslas" and "Deck the Halls." A great chance to incorporate some early extensions, and students can focus on intonation and dynamics in this all-pizzicato piece. The running eighth notes that move throughout the sections will help keep everyone nice and steady in this holiday tango!

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Additional Details
Series: Highland String Orchestra
Publisher: Alfred Music
ISBN10: 1-4706-8039-4
ISBN13: 978-1-4706-8039-8
UPC: 038081604688
SKU: 00-50374S

More about this title

Why we love this

Donahoe takes two familiar carols and reimagines them through a tango lens, giving your orchestra a chance to explore rhythmic sophistication without abandoning the holiday feel. The all-pizzicato writing creates immediate textural interest while keeping technical demands reasonable at Grade 2, and the running eighth notes provide a steady rhythmic anchor that helps younger ensembles lock in together.

What to expect

Festive and rhythmically playful, with a Latin swagger that keeps the familiar carol melodies from feeling traditional. The all-pizzicato texture bounces along with energy, creating a bright, almost dance-like character that contrasts nicely with heavier seasonal pieces.

Who it's for

String orchestras at Grade 2 level seeking accessible yet stylistically fresh holiday repertoire. This works well for directors who want to challenge students on rhythmic precision and ensemble listening while keeping the difficulty curve manageable.

How to get the most out of it

  • Establish a clear, steady pulse before rehearsing; the tango rhythm depends on rock-solid ensemble timing. Have students tap the eighth-note ostinato pattern independently first, then add it to their parts.
  • Balance the melody with the pizzicato accompaniment by asking the melody section to project slightly over the running eighth notes. This prevents the moving lines from obscuring the carol tunes.
  • Mark the dynamic shifts in the conductor score during early rehearsals so your cues for swells and sudden drops land precisely across all sections.
  • Work intonation section by section. With all strings playing pizzicato simultaneously, even small pitch deviations become audible; isolate parts and tune carefully before full orchestra run-throughs.

How to use it

Pair this with a more lyrical carol or classical arrangement to show the range of your strings, or bookend it between a lively opening number and a solemn closing piece to keep the concert pacing dynamic. It's also an excellent choice for festival competitions where originality and clear execution both earn recognition.

Skills your students will build

  • Pizzicato technique and consistency across the ensemble
  • Reading and performing tango rhythms (syncopation and swing feel)
  • Intonation tuning in all-pizzicato texture
  • Dynamic control and sectional balance
  • Steady eighth-note pulse maintenance in moving accompaniment lines

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