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Timberline: Concert Band, Ensemble Works Conductor Score

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Timberline: Concert Band, Ensemble Works Conductor Score

By Melvin Shelton

Grade: 3

Item: 36-10105281

$12.00
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Description
Written as a tribute to a high school band director killed in a car accident three months after starting his first teaching job, this work is sensitive without being maudlin. A great combination of clear, lyrical melodies, chorale-like passages, and softly urging rhythms. It is a piece that reflects gentleness with a feeling of strength and spirit.

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Additional Details
Series: LudwigMasters Concert Band
Publisher: Keiser Productions, Inc.
ISBN10: 1-68-296433-7
ISBN13: 978-1-68-296433-0
UPC: 735816442385
SKU: 36-10105281
Instrumentation: Concert Band

More about this title

Why we love this

Shelton captures something difficult to articulate in music: genuine emotion without sentimentality. The balance of lyrical writing and structural clarity makes this piece work equally well as a contemplative concert moment or as a festival selection, and conductors consistently report that students connect deeply with the material despite its modest Grade 3 level.

What to expect

There's a quiet dignity running through this piece, built on clear melodic lines that never demand virtuosity but always require maturity of tone and phrasing. The writing carries both gentleness and underlying strength, creating space for the ensemble to make genuine music rather than simply executing notes.

Who it's for

Conductors seeking meaningful Grade 3 repertoire that challenges students musically rather than technically. This work serves programs wanting to program something sincere and substantive without overextending younger ensembles.

How to get the most out of it

  • Shape the chorale passages with a unified ensemble sound; these moments benefit from a slight ritardando at their peaks to let the harmony breathe.
  • Keep the rhythmic figures underneath the main melody flowing forward rather than pressing; the "softly urging" quality comes from momentum, not tempo.
  • Balance the lyrical melody line so it sings above the harmonic support without requiring the rest of the band to pull back unnaturally.

How to use it

Timberline works beautifully in a concert where it can anchor a program emotionally, place it after lighter fare to shift the audience into a more reflective space. It's also a natural fit for festival competition where sincerity and musicality matter as much as technical difficulty.

Skills your students will build

  • Sustaining long melodic lines with consistent air support and phrasing
  • Balancing ensemble sound between principal voice and harmonic accompaniment
  • Responding to conductor's subtle expressive gestures in slower tempos
  • Playing with sensitivity in soft dynamic ranges without losing tone quality
  • Understanding harmonic structure through chorale-style writing

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