Timberline Cover Image

Timberline: Concert Band Conductor Score & Parts

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Timberline: Concert Band Conductor Score & Parts

By Melvin Shelton

Grade: 3

Item: 36-10100281

$75.00
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Description
Written as a tribute to a high school band director killed in a car accident three months after starting his first teaching job, this work is sensitive without being maudlin. A great combination of clear, lyrical melodies, chorale-like passages, and softly urging rhythms. It is a piece that reflects gentleness with a feeling of strength and spirit.

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Additional Details
Series: LudwigMasters Concert Band
Publisher: Keiser Productions, Inc.
ISBN10: 1-68-296432-9
ISBN13: 978-1-68-296432-3
UPC: 660355044458
SKU: 36-10100281
Instrumentation: Concert Band

More about this title

Why we love this

Shelton writes with genuine emotional restraint here. Rather than overwhelm with heavy orchestration or dramatic gestures, he lets simple, singing lines and careful harmonic movement do the work. A Grade 3 band will sound mature and thoughtful programming this piece.

What to expect

Timberline carries a quiet strength. Lyrical passages flow with uncluttered elegance, while gentle rhythmic pulses underneath suggest forward motion without urgency. The overall arc moves between moments of reflection and instances of subdued assertion, creating a piece that honors memory through musical integrity rather than sentimentality.

Who it's for

High school concert bands and community bands at the Grade 3 level looking for repertoire that has emotional weight without excessive technical demand. Directors seeking a program piece that students can play with maturity and that audiences will receive seriously.

How to get the most out of it

  • Shape the lyrical melodic lines with long-phrase breathing in mind. Even at soft dynamic levels, the lines need to arc and breathe as complete musical thoughts.
  • Balance the chorale-like passages so that inner voices support but don't overshadow the primary melody. This creates transparency and lets the harmonic language speak.
  • Approach the softer rhythmic material with precision and stillness rather than pulling back on engagement. Gentle does not mean tentative.

How to use it

This works especially well as a closing or center-point piece on a concert, allowing the band to demonstrate musicianship and phrasing control in a lyrical context. It pairs well with lighter concert openers or with more energetic works elsewhere on the program, where its introspective character provides meaningful contrast.

Skills your students will build

  • Sustained phrase construction and long-line breathing
  • Dynamic control in soft, exposed passages
  • Balance and blend in chorale textures
  • Expressive playing without melodrama
  • Section independence in supporting roles

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