Three Traditional Spirituals Cover Image

Three Traditional Spirituals: Alto Saxophone & Keyboard Part(s)

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Three Traditional Spirituals Cover Image

Three Traditional Spirituals: Alto Saxophone & Keyboard Part(s)

Arr. David Marlatt

Level: Medium

Item: 81-SS2112

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Description
Spirituals have found their way into the standard repertoire of vocalists and instrumentalists. The lyrical tunes combined with the powerful message they tell affect us all. Presented here are three separate spirituals which are all reflective in nature: Sometimes I Feel Like a Motherless Child, My Lord, What a Morning and Steal Away. All the pieces are supported by an interesting piano part with jazz harmonies and a rhythmic pulse. These pieces are ideal at church, on a concert or for use at a competition.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55473-053-8
ISBN13: 978-1-55473-053-7
UPC: 685462008025
SKU: 81-SS2112
Instrumentation: Alto Saxophone & Keyboard

More about this title

Why we love this

Marlatt's jazz-inflected harmonies give these spirituals contemporary life without diluting their emotional core. The piano part carries real musical weight, it's not just accompaniment, which means your saxophonist gets to focus on the lyrical work while the keyboard player stays genuinely engaged.

What to expect

Reflective and grounded, with the weight of lived experience behind every phrase. The jazz harmonies add harmonic color without displacing the solemnity of the melodies. Each spiritual sits comfortably in the alto's register and invites genuine emotional communication.

Who it's for

Alto saxophonists at the intermediate level preparing for competitions, church performances, or concert programming. This is equally suited to students developing expressive maturity and musicians looking for repertoire with cultural and spiritual depth.

How to get the most out of it

  • Shape the phrases with your breathing; the lyrical quality depends on treating these like vocal lines, not instrumental exercises.
  • Coordinate with your keyboardist on the rhythmic pulse so the jazz harmonies land cleanly rather than feeling overworked.
  • Let the reflection in these pieces breathe. Resist the urge to push the tempo; the power comes from stillness.
  • Balance tone production with emotional clarity. These spirituals demand both a warm sound and clear diction of their stories.

How to use it

These three pieces work well programmed as a set to showcase a saxophonist's lyricism and maturity, or interspersed across a concert alongside contrasting repertoire. They're also natural fits for sacred music services or community performances where the cultural significance of spirituals deepens the context.

Skills your students will build

  • Phrasing and breath control in lyrical contexts
  • Balancing melodic legality with harmonic sophistication
  • Sensitivity to jazz harmonies and their emotional weight
  • Collaborative timing with keyboard accompaniment
  • Interpretation of text-driven meaning through instrumental performance

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