Three Traditional Spirituals Cover Image

Three Traditional Spirituals: Clarinet & Keyboard Part(s)

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Three Traditional Spirituals Cover Image

Three Traditional Spirituals: Clarinet & Keyboard Part(s)

Arr. David Marlatt

Level: Medium

Item: 81-SC2114

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Description
Spirituals have found their way into the standard repertoire of vocalists and instrumentalists. The lyrical tunes combined with the powerful message they tell affect us all. Presented here are three separate spirituals which are all reflective in nature: Sometimes I Feel Like a Motherless Child, My Lord, What a Morning and Steal Away. All the pieces are supported by an interesting piano part with jazz harmonies and a rhythmic pulse. These pieces are ideal at church, on a concert or for use at a competition.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55473-051-1
ISBN13: 978-1-55473-051-3
UPC: 685462007226
SKU: 81-SC2114
Instrumentation: Clarinet & Keyboard

More about this title

Why we love this

Marlatt's arrangements respect the spiritual tradition while giving clarinetists material with real harmonic substance. The jazz-inflected piano parts lift these pieces beyond straightforward melody renditions, creating arrangements that feel fresh without sacrificing the reflective character these spirituals demand. Church musicians, festival competitors, and concert programmers will all find these accessible yet musically sophisticated.

What to expect

Each piece carries a quiet dignity, supported by the piano's thoughtful harmonies and gentle rhythmic foundation. The arrangements honor the spirituals' reflective nature while introducing harmonic color that deepens the emotional landscape without overwhelming the melody.

Who it's for

Intermediate clarinetists seeking meaningful solo literature that connects to a living musical tradition. These arrangements suit both church musicians and student soloists preparing for festivals or recitals.

How to get the most out of it

  • Shape the lyrical line with long, supported phrases. The piano's rhythmic pulse should complement your phrasing rather than drive it; resist rushing into the steady pulse and instead let your breath control dictate the musical line.
  • Listen actively to the piano part during rehearsal. The jazz harmonies provide harmonic color that supports the clarinet melody, so understanding how your line sits within those chords will deepen your interpretation.
  • Balance projection with intimacy. These pieces are reflective by design, so aim for a warm, centered tone rather than bright projection; let the musical content resonate rather than dominate.
  • Practice the pieces in the order presented, as they progress in musical complexity. Starting with familiar material builds confidence before tackling the more intricate harmonic accompaniments.

How to use it

These three spirituals work beautifully as a thematic set in a solo recital, especially one exploring sacred or American music traditions. They also serve contest and festival programs where judges appreciate both technical accessibility and musical substance. In church settings, they provide instrumental music suitable for contemplative services or special observances.

Skills your students will build

  • Sustained phrasing over piano accompaniment
  • Lyrical tone production and vibrato control
  • Listening and responding to jazz harmonies
  • Musical interpretation of reflective, spiritual character
  • Balancing solo line with accompaniment texture

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