This Twenty-Five of December Cover Image

This Twenty-Five of December: Choral Octavo SoundTrax

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This Twenty-Five of December Cover Image

This Twenty-Five of December: Choral Octavo SoundTrax

Words and music by Greg Gilpin

Item: 00-49724

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Description
Merry minor key singing and dance-like rhythms! This rousing Greg Gilpin original sounds something like Irish folk music or perhaps a sea chantey. It's a festive holiday text complete with trimming the tree, decking the halls, plus plentiful "fa la la's" and "noel's." Feature a mid-range soloist on the softer, slower, introspective moment just before the last spirited refrain. "There's holiday cheer for one and all!" 

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081568119
SKU: 00-49724

More about this title

About the Composer: Greg Gilpin

Greg Gilpin

Greg Gilpin holds recognition from ASCAP as an accomplished choral composer and arranger with a distinguished conducting career. His work has taken him across major performance venues in the United States, including Carnegie Hall, Lincoln Center, and Ryman Auditorium, as well as internationally to Sydney Opera House, Royal Festival Hall in London, and Harpa Concert Hall in Reykjavik. He serves as Director of Educational Choral Publications for Shawnee Press.

Beyond his choral work, Gilpin has expanded his professional reach into film scoring and organizational consulting. He composed the score for the award-winning short film "Rosie's Rescue" and collaborated with opera singer Angela Brown on a contemporary arrangement of "What Child is This?" that premiered with the Indianapolis Symphonic Choir. Gilpin maintains active membership in ACDA, NAfME, SAG-AFTRA, and holds Life Loyal status in Phi Mu Alpha Sinfonia.

Why we love this

Gilpin captures authentic folk character and rhythmic drive without sacrificing singability or ensemble cohesion. The minor key and dance-like propulsion make this feel fresh among standard holiday fare, while the text balances festive excitement with a reflective solo moment that rewards expressive singers and gives rehearsal focus to a standout vocalist.

What to expect

A rousing holiday celebration infused with the timeless spirit of folk tradition. The minor key and dance rhythms evoke the feel of a sea chantey or Irish melody, creating festive energy that feels grounded and authentic rather than purely commercial, with moments of genuine reflection nestled within the cheer.

Who it's for

Choirs seeking holiday repertoire with personality and rhythmic vitality will find this piece both accessible and engaging. It works well for choirs that include singers with some choral experience and can handle minor key intonation and ensemble coordination, while remaining achievable for intermediate ensembles.

How to get the most out of it

  • Shape the minor key brightness carefully; think folk authenticity rather than darkness. The minor tonality should feel open and celebratory, not melancholic.
  • Lock the rhythmic dance quality from the very first entrance. The sea chantey flavor depends on steady, driving ensemble energy even during softer passages.
  • Feature the mid-range soloist genuinely in the slower, introspective section. This moment grounds the piece emotionally before the final spirited push and deserves careful dynamic distinction from the choir.
  • Articulate the "fa la la's" and "noel's" with clear diction and rhythmic precision. These syllables anchor the folk character and should land with lightness and agreement across the ensemble.

How to use it

Pair this with more traditional or major-key holiday selections to give your holiday concert textural and tonal variety. The secular text and folk character make it an excellent choice for late fall or early winter programming, and its moderate length allows room for other significant works.

Skills your students will build

  • Singing with confidence in minor keys
  • Maintaining rhythmic integrity and ensemble precision in dance-like meters
  • Contrasting dynamics and ensemble texture (spirited refrain versus introspective solo moment)
  • Diction clarity in folk-style text, particularly syllables like "fa la la" and "noel"

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