This Twenty-Five of December: SATB Choral Octavo
Words and music by Greg Gilpin
Item: 00-PO-0006925
Minimum order quantity: 20 copies
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About the Composer: Greg Gilpin

Greg Gilpin brings decades of conducting and compositional expertise to choral music. An ASCAP award-winning composer and arranger, he has led performances at Carnegie Hall, Lincoln Center, Ryman Auditorium, Sydney Opera House, Royal Festival Hall, and Harpa Concert Hall. His work spans concert halls across multiple continents, establishing him as a leading voice in American choral music.
Beyond the concert stage, Gilpin serves as Director of Educational Choral Publications for Shawnee Press and remains active in film scoring and recording production. His versatility extends to recent work arranging new pieces for professional singers and ensembles. He holds membership in ACDA, NAfME, SAG-AFTRA, and Phi Mu Alpha Sinfonia.
Why we love this
Gilpin captures the spirit of folk traditions while delivering genuinely singable lines that sit well in the SATB range. The minor key gives the piece sophistication beyond typical holiday fare, and the built-in soloist moment creates a natural performance arc that keeps audiences engaged through the final refrain.
What to expect
Like a musical journey through a winter celebration filtered through an Irish lens. The minor key lends unexpected warmth and depth to familiar holiday imagery, while the rhythmic drive carries the energy of a sea chantey sung in a packed hall. The introspective soloist moment brings intimate reflection before the final burst of communal cheer.
Who it's for
This piece works beautifully for intermediate to advanced community choirs, high school choirs with solid musicianship, and church choirs looking to move beyond major-key holiday arrangements. Directors seeking a secular holiday option that still honors the season will find this refreshingly different from standard fare.
How to get the most out of it
- Shape the rhythmic, dance-like sections with a crisp, energetic feel; the folk sensibility demands clarity over legit smoothness
- Prepare your soloist well in advance for the slower, introspective passage; this vulnerability makes the return to festive energy more impactful
- Balance the "fa la la" and "noel" sections so they land as joyful punctuation rather than drowning out the text; slight rhythmic precision here pays dividends
- Use the recorded accompaniment to establish the minor tonality and folk rhythm; it anchors both your tempo and ensemble intonation across sections
How to use it
Pair this with a mix of traditional and contemporary holiday pieces to show the range of seasonal repertoire available to modern choirs. Its folk sensibility makes it an excellent bridge between classical arrangements and contemporary holiday selections, fitting equally well in December concerts, secular holiday celebrations, or end-of-year programs where variety matters.
Skills your students will build
- Singing in minor keys with confidence and intonation
- Rhythmic precision in syncopated, folk-influenced patterns
- Balancing ensemble sound with featured soloist moments
- Text projection and diction in playful, repeated sections ("fa la la's" and "noel's")
- Musical storytelling across contrasting sections (energetic to introspective to energetic)