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This Is Why: Marching Band Conductor Score

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This Is Why: Marching Band Conductor Score

Words and music by Hayley Williams, Taylor York and Zach Farro / arr. Nick Baratta

Grade: 3

Item: 00-50096S

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Description
Here is one of rock band Paramore's latest hits in a great new arrangement by Nick Baratta. This powerful chart has a strong groove, and is perfect for the stands, auxiliary features, or pep band.

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Additional Details
Series: Mega Sounds for Marching Band
Publisher: Alfred Music
Page Count: 8
ISBN10: 1-4706-6384-8
ISBN13: 978-1-4706-6384-1
UPC: 038081580869
SKU: 00-50096S

More about this title

About the Composer: Hayley Williams

Hayley Williams is the lead vocalist and primary songwriter of Paramore, the rock band that emerged from the mid-2000s alternative and pop-punk scene. Her songwriting blends introspective lyricism with dynamic, guitar-driven arrangements that have resonated across multiple generations of listeners. Williams has become known for her willingness to evolve Paramore's sound while maintaining the emotional intensity that defines the band's catalog.

Beyond her work as a performer and composer, Williams has established herself as a distinctive creative voice in contemporary rock music. Her compositions for Paramore demonstrate sophisticated song structure and melodic instinct, qualities that translate effectively when arranged for ensemble performance.

Why we love this

Nick Baratta's arrangement captures the driving energy and contemporary groove of the original while making it fully accessible to Grade 3 marching ensembles. The voicing and instrumentation work equally well whether you're fielding a full corps or running a smaller pep band, making this a rare chart that truly adapts to your roster. Contemporary rock hits keep students engaged and excited about rehearsal, and this one does it without sacrificing musicianship.

What to expect

This chart pulses with the relentless forward momentum of modern rock. The arrangement respects the original's emotional intensity while translating it into the marching ensemble idiom, creating something that feels both familiar and freshly exciting on the field.

Who it's for

Marching band directors programming for stands, auxiliary feature competitions, or high-energy pep band performances. High school and advanced middle school programs will find the Grade 3 level accessible while still offering enough sophistication to challenge developing musicianship.

How to get the most out of it

  • Lock the rhythm section tight from day one. The groove is the foundation of this chart, so get your percussion and low brass locked in beat-for-beat before layering in the upper parts.
  • Lean into the dynamic contrasts. Grade 3 charts often sit in a narrow dynamic range, but this one has real peaks and valleys. Make those transitions clean and intentional.
  • Keep the front ensemble crisp and precise. Auxiliary parts in modern rock arrangements need clarity to shine; muddy execution buries what makes these charts fun.
  • Record sectionals early and often. Having audio references of the original arrangement helps brass understand the melodic contour and rhythmic feel beyond what's on the page.

How to use it

Pair this with other contemporary hits to build a rock-themed concert or showcase set that energizes audiences and students alike. It works especially well mid-program as a momentum builder, or anchor a pep band rotation where crowd engagement and visual entertainment matter as much as precision.

Skills your students will build

  • Maintaining steady groove and rhythmic precision in syncopated rock idioms
  • Reading and executing contemporary musical textures across multiple instrumental parts
  • Balancing ensemble blend while keeping rhythmic and melodic clarity
  • Connecting written notation to recognizable contemporary music sources

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