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Think: Piano/Vocal/Chords

The Rolling Stones

Item: 00-PS-0012174

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$4.99
Description
Titles are: Paint It, Black * Stupid Girl * Lady Jane * Under My Thumb * Doncha Bother Me * Think * Flight 505 * High and Dry * It's Not Easy * I Am Waiting * Going Home.

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Additional Details
Series: Alfred's Classic Album Editions
Publisher: Alfred Music
Page Count: 48
SKU: 00-PS-0012174

More about this title

About the Composer: Mick Jagger

Mick Jagger is the primary lyricist and frontman of The Rolling Stones, one of rock's most influential bands. Across five decades, Jagger has shaped the creative voice of the band through his songwriting partnership with Keith Richards, crafting compositions that blend blues, rock, and pop sensibilities into anthems that define generations of popular music.

Why we love this

These songs span some of The Rolling Stones' most essential work, from their bluesy early period through their experimental mid-career phase. Programming them as piano/vocal arrangements opens these rock classics to singers and pianists who might not otherwise explore them, and the collection demonstrates how strong songwriting translates across genres and instrumental contexts.

What to expect

Raw blues attitude meets pop craftsmanship. These songs live in the space between groove and melody, where the piano can anchor either a driving rhythm or a sparse, intimate arrangement. The collection captures the Stones' ability to sound both timeless and urgently present.

Who it's for

Pianists and singers with intermediate to advanced reading skills who want to explore rock repertoire in a traditional song format. This collection works equally well for solo piano/vocal performance, piano lessons with singing students, or ensemble arrangements that need accessible classic rock material.

How to get the most out of it

  • Anchor the rhythm section with a steady bass line; these songs rely on groove and pocket rather than technical flash.
  • Pay attention to the lyrical phrasing and rhythmic syncopation in Jagger's melodies; they sit slightly behind the beat in ways that define the character of each track.
  • Balance the vocal line with harmonic accompaniment by varying chord voicings and dynamics between verse and chorus sections.
  • Let the blues changes and rock progressions breathe; resist over-arranging what are already sophisticated harmonic structures.

How to use it

Feature individual selections in student recitals to introduce classical pianists to rock songwriting structures. Use as part of a concert exploring how iconic songs work across different arrangements and instrumental contexts, pairing them with covers by other artists or different eras.

Skills your students will build

  • Blues harmony and 12-bar blues progressions
  • Rhythmic syncopation and swing phrasing in vocal melody
  • Chord voicing and comping techniques in rock style
  • Interpretation of lead sheets with limited notation
  • Balancing melody with accompaniment in song form

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