The Rolling Stones: Aftermath Cover Image

The Rolling Stones: Aftermath: Authentic Guitar TAB Book

$19.95 USD
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The Rolling Stones: Aftermath Cover Image

The Rolling Stones: Aftermath: Authentic Guitar TAB Book

The Rolling Stones

Item: 00-25776

$19.95
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Description
Alfred is pleased to expand the Classic Album Edition series to include the Rolling Stones' Aftermath.

Their first record of all-original material, Aftermath includes the Rolling Stones' classic hit songs "Under My Thumb" and "Paint it Black." This authentic guitar TAB edition provides all of the guitar parts as they were recorded.

Titles are: Paint It, Black * Stupid Girl * Lady Jane * Under My Thumb * Doncha Bother Me * Think * Flight 505 * High and Dry * It's Not Easy * I Am Waiting * Going Home.

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Additional Details
Series: Alfred's Classic Album Editions
Publisher: Alfred Music
Page Count: 80
ISBN10: 0-7390-4163-0
ISBN13: 978-0-7390-4163-5
UPC: 038081279145
SKU: 00-25776

More about this title

About the Artist: The Rolling Stones

The Rolling Stones redefined what a rock and roll band could be. Formed in London in 1962, they evolved from blues enthusiasts into songwriters who captured the raw energy and swagger of rock music while maintaining serious musicianship. By the time Aftermath arrived in 1966, they had moved beyond covers into fully realized original compositions that showcased their ability to blend blues influences with pop sensibility and studio sophistication.

Why we love this

Aftermath gave students access to genuine studio recordings from one of rock's foundational bands, and this TAB edition captures the guitar work exactly as it appears on the album. The variety of approaches across the 11 tracks makes this repertoire rich for teaching: you get folk-influenced fingerpicking on "Lady Jane," bluesy riffs on "Stupid Girl," and the iconic opening of "Paint It Black." It's a chance to learn how thoughtful arrangement and tone choices define a record.

What to expect

Swagger meets precision. These songs move with the confidence of a band that knew exactly what it wanted to say, yet each one breathes differently: some arrangements feel sparse and deliberate while others bristle with attitude. The guitar work is unmistakably rock and roll, but it's rooted in blues phrasing and structured with genuine compositional intent.

Who it's for

Guitar students and teachers who want to understand how classic rock is constructed from the inside out. Players at the intermediate level and above will find challenges in both the technical execution and the interpretive work needed to match the original recordings.

How to get the most out of it

  • Study the original recording alongside the TAB to internalize the tone and sustain Keith Richards uses, especially on "Paint It Black." The song lives in its space as much as in its notes.
  • Break the rhythm figures into sections and lock them to a metronome before layering in the melodic fills. Richards often sits slightly behind the beat.
  • Pay attention to dynamics across the album; "Under My Thumb" sits much brighter than "Going Home." Let the acoustic properties of each song reshape your approach rather than playing everything with the same weight.
  • "Lady Jane" requires clean fingerpicking without a pick. This is a different motor skill than most rock playing; allow extra practice time for hand coordination.

How to use it

Use this as a bridge between your classical guitar curriculum and contemporary music, or as the centerpiece of a rock history unit. The eleven tracks give you enough material to spread across multiple rehearsals, and students can work on different songs at different levels of proficiency. It's also strong repertoire for a concert featuring 1960s classic rock alongside material from other genres.

Skills your students will build

  • Reading and executing authentic guitar TAB notation with accuracy
  • Translating rhythmic figures to match recorded tempos and phrasing
  • Distinguishing between lead and rhythm guitar roles
  • Fingerpicking technique on acoustic and semi-hollow body guitars
  • Tone production on electric guitar, including sustain and pickup selection
  • Recognizing blues-influenced harmonic movement in rock contexts
  • Playing behind the beat while maintaining clarity of rhythm

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