The Wind Beneath My Wings Cover Image

The Wind Beneath My Wings: SATB Choral Octavo

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The Wind Beneath My Wings Cover Image

The Wind Beneath My Wings: SATB Choral Octavo

By Larry Henley and Jeff Silbar / arr. Roger Emerson

Item: 00-WBCH9349

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Description
This beautiful ballad became a monster hit with a recording by Bette Midler. The positive lyric makes it a natural addition to any choral program.

Recorded by Bette Midler on the Beaches soundtrack, The Wind Beneath My Wings became her first #1 hit in ten years and earned her a Grammy® Award in 1990.

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Additional Details
Publisher: Alfred Music
Page Count: 12
UPC: 029156067286
SKU: 00-WBCH9349

More about this title

About the Composer: Jeff Silbar

Jeff Silbar is a Nashville-based songwriter who has crafted numerous songs for film and television. His work with co-composer Larry Henley on "The Wind Beneath My Wings" demonstrates a gift for writing melodies that resonate across generations and connect with broad audiences.

Why we love this

Roger Emerson's arrangement captures the emotional warmth of the original while giving your SATB choir room to shine. The piece works equally well as a showcase for your ensemble's blend or as a meaningful closer to a concert, and audiences connect to its genuinely uplifting message without a trace of saccharine oversell.

What to expect

The music unfolds with quiet confidence, built on a foundation of warm harmonies and a melody that feels both familiar and freshly arranged. There's an intimate quality in the voicing that draws listeners in, yet the piece never loses its underlying sense of hope and encouragement.

Who it's for

Choirs preparing concert or wedding programs benefit from a piece that is musically rewarding without requiring advanced vocal technique. This octavo works for intermediate to advanced high school and college choirs, as well as community and church ensembles seeking repertoire with genuine emotional substance.

How to get the most out of it

  • Treat the solo passages with care; they deserve a vocalist who can sustain the phrase and deliver the lyric with sincerity rather than theatricality.
  • Balance the upper three voices against the bass line, which provides crucial harmonic anchoring without overwhelming the melody.
  • Let the recorded accompaniment guide your tempo in early rehearsals, but once the voicing is secure, experiment with slight tempo flexibility in the final phrases for expressive impact.
  • Shape the dynamics gradually rather than in sharp contrasts; the arrangement rewards singers who think in long musical lines.

How to use it

Program this as a concert centerpiece or penultimate selection, where its reflective character can settle an audience before a concluding piece with different energy. It's equally at home in wedding ceremonies or celebrations where its message of support and uplift carries real meaning for the occasion.

Skills your students will build

  • Sustained vocal line singing through longer phrases
  • Balancing multiple melodic lines across four voice parts
  • Interpreting and executing dynamic shaping for emotional effect
  • Blend and balance in close-voiced SATB writing

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