The Wind Beneath My Wings: SATB Choral Octavo
By Larry Henley and Jeff Silbar / arr. Roger Emerson
Item: 00-PO-0006822
$2.25
Minimum order quantity: 20 copies
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Description
This beautiful ballad became a monster hit with a recording by Bette Midler. The positive lyric makes it a natural addition to any choral program.
Recorded by Bette Midler on the Beaches soundtrack, The Wind Beneath My Wings became her first #1 hit in ten years and earned her a Grammy® Award in 1990.
Recorded by Bette Midler on the Beaches soundtrack, The Wind Beneath My Wings became her first #1 hit in ten years and earned her a Grammy® Award in 1990.
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Additional Details
Publisher:
Alfred Music
Page Count:
12
SKU:
00-PO-0006822
More about this title
About the Composer: Larry Henley
Larry Henley is a songwriter and producer whose work spans pop, country, and film music. He co-wrote "The Wind Beneath My Wings" with Jeff Silbar, creating one of the most recognizable melodies in contemporary American songwriting. The song's success on the Beaches soundtrack brought Henley's compositional voice to millions of listeners and demonstrated his gift for writing melodies that resonate across generations and musical contexts.
Why we love this
Roger Emerson's arrangement makes this beloved ballad work beautifully for SATB voices without overshadowing the melody that made it famous. The song's message of gratitude and support gives choirs an emotionally genuine piece that audiences recognize instantly, creating an immediate connection that elevates the entire program.
What to expect
Warm and affirming, with a soaring soprano line that feels both accessible and uplifting. The arrangement honors the song's pop roots while giving it the harmonic depth that makes choral performance rewarding, creating a moment of genuine connection between singers and audience.
Who it's for
This arrangement suits concert choirs, community choirs, and advanced high school ensembles who want a contemporary piece with immediate appeal. Singers at all levels appreciate the straightforward vocal writing and the chance to perform a song they likely already know.
How to get the most out of it
- Balance the soprano line carefully during sustained high passages; the melody should soar without forcing or straining the voice.
- Shape each phrase by breathing where the lyric naturally lands, allowing the text to guide your phrasing rather than fighting the musical line.
- Use the recorded accompaniment to establish secure pitch reference and tempo before rehearsing without it; this allows singers to internalize the harmonic language.
- Layer the harmonic voices gradually in rehearsal so that sopranos anchor the melody before lower voices add their supporting lines.
How to use it
Program this as a standalone feature or pair it with other inspirational pieces for a segment on gratitude, support, and human connection. Its popularity makes it excellent for community events, tribute concerts, or programs where you want to close with something emotionally resonant that audiences will remember.
Skills your students will build
- Sustained legit singing across the bridge register
- Balancing a prominent soprano line with supporting harmonic voices
- Shaping lyrical phrases with natural text inflection
- Singing contemporary pop-influenced harmonies in a choral context