The Wearing of the Green (from the <i>Irish Suite</i>) Cover Image

The Wearing of the Green (from the <i>Irish Suite</i>): Concert Band Conductor Score

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The Wearing of the Green (from the <i>Irish Suite</i>) Cover Image

The Wearing of the Green (from the Irish Suite): Concert Band Conductor Score

By Leroy Anderson / arr. Douglas E. Wagner

Grade: 4 (Medium)

Item: 00-30835S

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Description
The fourth movement of Leroy Anderson's Irish Suite, which was drawn from familiar Irish folk tunes when created in 1947, The Wearing of the Green was never before transcribed for concert band has been skillfully scored by Douglas Wagner in Anderson's charismatic characteristic style. Three movements of the six-movement suite are now available for concert band. The remaining three movements will be released in 2010. Fresh and exciting, this rendition is sure to please. Performable as a stand-alone work, or in tandem with the rest of the movements. (I. The Irish Washerwoman - item 83181 and III. The Rakes of Mallow - item 30836)

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Additional Details
Series: Leroy Anderson Classics
Publisher: Alfred Music
Page Count: 32
UPC: 038081350431
SKU: 00-30835S

More about this title

About the Composer: Leroy Anderson

Leroy Anderson (1908-1975) was an American composer and conductor whose gift for orchestration and melodic inventiveness made him one of the most performed composers of the twentieth century. His concert works, drawn frequently from folk sources and popular idioms, demonstrated that serious musical craft and accessibility were not mutually exclusive. Anderson's ability to elevate familiar material into sophisticated concert pieces without losing their essential charm made him a cornerstone of the American pops repertoire and a reliable choice for ensembles seeking music that engages both performers and audiences.

Why we love this

Anderson's gift for melody shines through Douglas Wagner's transparent scoring, which honors the composer's original orchestral voice while writing idiomatically for band. The tune is infectious and instantly recognizable to audiences, but the arrangement rewards careful attention to style and articulation. You get the crowd appeal of a folk tune married to the craftsmanship of a composer who understood how to make simple material musically substantial.

What to expect

Tuneful and bright, with the character of a traditional Irish dance melody filtered through Anderson's sophisticated harmonic and orchestral sensibility. The music feels contemporary and accessible despite its folk roots, with moments of orchestral color and counterpoint that give it depth beyond its straightforward charm.

Who it's for

This conductor score serves band directors programming at the Grade 4 level who want authentic Anderson material without the difficulty of orchestral transcriptions. It works equally well for groups looking to program a complete movement from the Irish Suite or seeking a standalone concert opener with genuine musical substance.

How to get the most out of it

  • Honor Anderson's ballroom dance heritage by keeping the rhythmic pulse steady and slightly buoyant; this is march-like music that should never feel heavy or ponderous.
  • Shape the melodic phrases with gentle dynamic contours rather than rigid dynamics; let the natural arc of the tune guide your interpretation.
  • Balance the woodwind writing carefully so that countermelodies and accompanimental figures remain transparent and do not obscure the primary tune.
  • Pay attention to the scoring's harmonic color changes; they often signal subtle shifts in mood that benefit from slight changes in ensemble timbre and vibrato intensity.

How to use it

Program this as a concert opener or as part of a thematic concert exploring folk-based orchestral music. It pairs naturally with other movements from the Irish Suite (The Irish Washerwoman and The Rakes of Mallow are also available for concert band), allowing you to present the multi-movement suite in performance or combine individual movements across different concerts.

Skills your students will build

  • Articulation and style in march-influenced music
  • Transparency and balance in contrapuntal writing
  • Sensitivity to subtle harmonic color changes
  • Phrasing of song-like melodies within an ensemble context
  • Maintaining steady pulse in moderate tempo dance rhythms

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