The Wearing of the Green (from the <i>Irish Suite</i>) Cover Image

The Wearing of the Green (from the <i>Irish Suite</i>): Concert Band Conductor Score & Parts

$82.00 USD
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The Wearing of the Green (from the <i>Irish Suite</i>) Cover Image

The Wearing of the Green (from the Irish Suite): Concert Band Conductor Score & Parts

By Leroy Anderson / arr. Douglas E. Wagner

Grade: 4 (Medium)

Item: 00-30835

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Description
The fourth movement of Leroy Anderson's Irish Suite, which was drawn from familiar Irish folk tunes when created in 1947, The Wearing of the Green was never before transcribed for concert band has been skillfully scored by Douglas Wagner in Anderson's charismatic characteristic style. Three movements of the six-movement suite are now available for concert band. The remaining three movements will be released in 2010. Fresh and exciting, this rendition is sure to please. Performable as a stand-alone work, or in tandem with the rest of the movements. (I. The Irish Washerwoman - item 83181 and III. The Rakes of Mallow - item 30836)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Wearing of the Green (from the Irish Suite): Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Leroy Anderson Classics
Publisher: Alfred Music
Page Count: 230
UPC: 038081350424
SKU: 00-30835

More about this title

About the Composer: Leroy Anderson

Leroy Anderson (1908-1975) was an American composer and conductor whose gift for orchestration and ear for melody made him one of the twentieth century's most performed light music composers. His works, characterized by infectious rhythms, clever orchestral colors, and accessibility across skill levels, have remained staples of concert bands, orchestras, and pop music programs for decades. Anderson composed the Irish Suite in 1947, drawing from traditional Irish folk melodies to create a work that balances folk authenticity with his signature urbane arranging style.

Anderson's approach to folk material influenced generations of music educators and arrangers. Rather than treating traditional tunes as museum pieces, he infused them with orchestral sophistication, demonstrating how familiar melodies could command attention on concert stages. His ability to sustain musical interest while keeping performance demands reasonable has made his works invaluable for developing musicians who need repertoire that sounds substantial without requiring advanced technical facility.

Why we love this

Douglas Wagner's transcription captures Anderson's trademark clarity and charm while tailoring the orchestration to concert band strengths. The arrangement sits comfortably at Grade 4, offering enough melodic substance and textural interest to engage audiences and musicians alike without demanding virtuosity. Programming this alongside The Irish Washerwoman and The Rakes of Mallow gives your band a coherent suite that feels polished and intentional, or performing it as a standalone work provides a crowd-pleasing contrast to heavier fare.

What to expect

Bright, unpretentious, and immediately engaging, The Wearing of the Green bounces along with the energy of a traditional Irish tune played with orchestral sophistication. The melody feels familiar even on first hearing, inviting both players and listeners into a musical landscape that's warm without being saccharine, spirited without losing its folk roots.

Who it's for

Concert bands at the Grade 4 level will find this piece within comfortable reach, particularly groups with developing brass and reed sections. Directors seeking repertoire that audiences recognize and enjoy, without sacrificing musical substance, will value Anderson's approach to these folk melodies.

How to get the most out of it

  • Balance the melody between sections so the Irish tune sings clearly. Anderson's scoring often distributes the primary line across different voices, so conductor cueing and attention to sectional balance in rehearsal will keep the folk character intact.
  • Attend to articulation style consistently across the band. Light, crisp tonguing for rhythmic figures and lyrical phrasing for the melody will honor the piece's buoyant energy without letting it become heavy.
  • Use the accompaniment parts to establish a sense of lilt and forward motion. Even rests matter when the band's collective pulse drives the folk character; make sure every section understands they're supporting the overall sweep, not just playing their notes.

How to use it

Program this as a palate cleanser between weightier concert band works, or build an entire Irish-themed concert around the three available movements from Anderson's suite. The Grade 4 level and folk appeal make it equally at home in a community band concert, a high school festival program, or a pops show where accessibility and musical substance must coexist.

Skills your students will build

  • Balancing melody and accompaniment across multiple sections
  • Maintaining consistent articulation in light concert style
  • Shaping folk melodies with orchestral awareness
  • Reading and executing Anderson's typical orchestration patterns
  • Ensemble control at a moderate tempo with rhythmic precision

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