The Twelve Days of a Regifted Christmas: SATB Choral Octavo
Traditional Carol / arr., with new words and music, by Greg Gilpin
Item: 00-PO-0003562
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About the Arranger: Greg Gilpin

Greg Gilpin brings together a rare combination of choral expertise and creative ambition. An ASCAP award-winning composer and arranger, he has led performances at prestigious venues including Carnegie Hall, Lincoln Center, Ryman Auditorium, Sydney Opera House, Royal Festival Hall, and Harpa Concert Hall. As Director of Educational Choral Publications for Shawnee Press, Gilpin shapes the repertoire that choral directors teach and perform.
Beyond music, Gilpin has expanded his professional reach into organizing and producing. In 2021, he composed the score for the award-winning short film "Rosie's Rescue" and collaborated with opera singer Angela Brown on a world premiere arrangement of "What Child is This?" with the Indianapolis Symphonic Choir. He holds membership in ACDA, NAfME, SAG-AFTRA, and is a Life Loyal Member of Phi Mu Alpha Sinfonia.
Why we love this
Gilpin trades the predictable caroling setup for something genuinely funny without requiring your choir to wink at the audience or oversell the joke. The constantly shifting musical styles (Latin, disco, and more) keep singers engaged with fresh material across all 16 pages, and the accessible SATB voicing means your ensemble can handle the humor without technical gymnastics. This is the kind of holiday piece that generates real laughter in performance because the music itself is the comedy, not just the lyrics.
What to expect
Irreverent and energetic, with the elastic charm of a well-executed parody. You move from one musical world to the next (ugly sweaters in one style, pink flamingos in another) without losing momentum, and the arrangements keep the comedy grounded in real musicality rather than slapstick. It's the musical equivalent of a holiday party where everyone's in on the joke.
Who it's for
Choirs that want to program a Christmas piece with genuine entertainment value rather than settling for reverent caroling. Whether you're a community choir, university ensemble, or church choral group, this octavo works for singers comfortable with stylistic variety and audiences ready to laugh during the holidays.
How to get the most out of it
- Lean into the style shifts as genuine musical changes, not just costume changes. When the arrangement moves to Latin or disco, commit to those rhythmic and tonal qualities so the joke lands for the audience.
- Balance clarity of the parody lyrics with musical integrity. The text is funny, but it needs to sit comfortably on the melodic line so the audience hears both the satire and the notes.
- Use the recorded accompaniment during rehearsal to establish the groove and feel of each section, especially in the rhythmically driven passages where ensemble cohesion matters most.
- Build in space for the humor to breathe. Avoid rushing the punchlines in the text; give the audience a beat to recognize each absurd gift before moving forward.
How to use it
Schedule this for the second half of a holiday concert after you've established the traditional carols and standard fare. It gives your audience permission to relax and enjoy themselves, and it positions your choir as musicians with range and personality. Pair it with one or two other novelty pieces or lighter fare to create a thematic set that audiences remember long after the season ends.
Skills your students will build
- Navigating multiple musical styles and tonal qualities within a single piece
- Balancing rhythmic precision with ensemble blend across jazz, Latin, and disco idioms
- Maintaining musical integrity while performing text-driven comedy
- Shaping legibility of lyrics without sacrificing musicality