The Twelve Days of a Regifted Christmas Cover Image

The Twelve Days of a Regifted Christmas: Choral Octavo SoundTrax CD

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The Twelve Days of a Regifted Christmas Cover Image

The Twelve Days of a Regifted Christmas: Choral Octavo SoundTrax CD

Traditional Carol / arr., with new words and music, by Greg Gilpin

Item: 00-43338

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Description
This hilarious send-up spoofs the usual gifts presented in the well-known song: "Eight ugly sweaters, seven pink flamingos, six Hawaiian shirts." The parody text provides lots of laughs, while the ever-changing musical styles (including even Latin and disco) are guaranteed to entertain.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081488790
SKU: 00-43338

More about this title

About the Arranger: Greg Gilpin

Greg Gilpin

Greg Gilpin stands among the most prolific choral arrangers in contemporary music education, with a catalog that spans from concert hall commissions to works specifically crafted for student ensembles. An ASCAP award winner and Director of Educational Choral Publications for Shawnee Press, Gilpin has conducted at Carnegie Hall, Lincoln Center, the Sydney Opera House, and Royal Festival Hall, bringing the same ear for detail and musicality to his arrangements that define his conducting career.

Beyond the music world, Gilpin has built a parallel practice as a certified financial coach and professional organizer, even appearing on network television and the series "Hoarders." He composed the award-winning score for the short film "Rosie's Rescue" and collaborated with opera singer Angela Brown on a world premiere arrangement of "What Child is This?" with the Indianapolis Symphonic Choir. A Life Loyal Member of Phi Mu Alpha Sinfonia and active member of ACDA and NAfME, Gilpin remains committed to teaching and composing across multiple disciplines.

Why we love this

Gilpin's gift for parody lies in his ability to sustain comedy without sacrificing musicality. The ever-shifting styles (Latin, disco, and everything in between) keep singers engaged and audiences laughing, while the straightforward arrangement ensures even less experienced choirs can pull off the satirical bite. It's the rare novelty piece that actually sounds good to sing.

What to expect

Irreverent and musically playful. The piece bounces between styles with infectious energy, poking fun at gift-giving excess while maintaining genuine melodic appeal. It's the kind of arrangement that makes choirs feel clever for pulling off the joke alongside their audience.

Who it's for

Any choir looking for a December show-stopper that works whether your singers are high school students or community amateurs. Directors who want their singers laughing during rehearsal and their audience laughing in the hall will find a crowd-pleaser here.

How to get the most out of it

  • Nail the comedic timing by treating rhythm with precision; the humor lands hardest when the groove is locked. The recorded accompaniment will anchor your ensemble's tempo through the style changes.
  • Emphasize clarity in the parody lyrics so the audience catches every ridiculous gift. Slow down slightly during the gift lists to give the audience time to laugh.
  • Shift your vocal tone and energy with each musical style shift. Latin sections need a different groove from disco moments; let your singers feel the genre change in their bodies, not just hear it.
  • Bring out any divisi or harmony moments that push against the main melody. Small unexpected chords or countermelodies often land the biggest laughs in novelty arrangements.

How to use it

Program this as the closer on a holiday concert, especially if you're pairing it with more traditional seasonal repertoire. The sharp tonal contrast (serious carol, serious carol, then boom, regifted sweaters) creates the kind of programming arc that keeps concert audiences engaged. It also works beautifully as a standalone feature when you need a palate cleanser or a finale that sends the audience out smiling.

Skills your students will build

  • Executing style shifts and genre changes within a single piece
  • Maintaining rhythmic accuracy and groove through tempo and meter variations
  • Shaping comedic phrasing and timing for maximum lyrical impact
  • Balancing ensemble blend while keeping parody lyrics intelligible

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