The Telephone Hour Cover Image

The Telephone Hour: SAB Choral Octavo

$2.10 USD
$2.10 USD
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The Telephone Hour Cover Image
The Telephone Hour: SAB Choral Octavo

The Telephone Hour: SAB Choral Octavo

From the Musical Bye, Bye, Birdie

Music by Charles Strouse, lyric by Lee Adams / arr. Sally K. Albrecht

Item: 00-43457
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Description
"Hi, Nancy! Hi, Helen! What's the story, morning glory?" Who can forget the fun interplay as the teenagers from Sweet Apple, Ohio catch up on the latest gossip? It's time to bust out the cell phones and bring this classic into the 21st century!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Telephone Hour: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081489971
SKU: 00-43457

More about this title

About the Composer: Charles Strouse

Charles Strouse composed the scores for some of Broadway's most enduring musicals, including Bye Bye Birdie, Annie, and Applause. His gift for accessible, tuneful melodies paired with theatrical sophistication made his work the foundation for countless high school and community theater productions. Strouse's ability to write music that serves the story while remaining singable across skill levels has secured his place in the repertoire of music educators worldwide.

Why we love this

Sally K. Albrecht's SAB arrangement of this delightful number captures all the charm and comedic timing of the original without requiring a full mixed choir. The piece thrives on the interplay between parts, making it an excellent vehicle for teaching blend, rhythmic precision, and theatrical delivery in a three-part setting.

What to expect

Bright, gossipy, and infectious. The piece bubbles with the excitement of teenagers sharing secrets and catching up, with rhythmic drive and infectious melodic hooks that make it nearly impossible not to smile. It's theater-in-miniature, complete with character and fun.

Who it's for

Directors building a contemporary Broadway show choir concert or seeking accessible pop/musical theater repertoire for three-part choirs. This works equally well in middle school and high school settings where singers need experience with theatrical storytelling and rhythmic clarity.

How to get the most out of it

  • Shape the opening dialogue with clear character voices. The opening "Hi, Nancy! Hi, Helen!" needs distinctness between voice parts so the gossip-session energy lands immediately.
  • Keep the tempo light and conversational. Resist the urge to rush; the humor lives in the natural phrasing of spoken rhythm mixed with sung passages.
  • Balance the parts carefully during the overlapping sections. SAB voicing can obscure the counterpoint if the middle voices aren't heard alongside the sopranos and altos.
  • Use the recorded accompaniment to lock the ensemble into the style and energy of the original. It's a reliable reference for groove and comedic timing.

How to use it

Perfect for a pop/Broadway set or as a standalone fun number that gives singers permission to be theatrical and playful. It pairs naturally with other mid-century musical theater standards and offers a refreshing contrast to heavier choral literature in a mixed concert.

Skills your students will build

  • Clear articulation in rhythmic, speech-like passages
  • Part independence and blend in three-part harmony
  • Theatrical expression and character-driven phrasing
  • Coordination of dialogue-like vocal interplay with ensemble sections

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