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The Power of One: 2-Part Choral Octavo

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The Power of One Cover Image

The Power of One: 2-Part Choral Octavo

Words by Beth Jacoby, music by Larry King

Item: 00-39943

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Description
A desire to help young people confront the issues of bullying and exclusion led to the writing of this contemporary rock ballad. Everyone sings a powerful hook that addresses this relevant concern, and many flexible solo opportunities give a voice to individuals. This title is available in Music Prodigy.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081446035
SKU: 00-39943

More about this title

Why we love this

King writes with genuine empathy for young singers and genuine attention to what matters in their lives. The rock ballad setting keeps the energy contemporary and relatable, while the universal hook ensures every voice in your choir feels essential to delivering the message. Solo opportunities scattered throughout let individual singers step into the spotlight on a piece that actually matters.

What to expect

The rock ballad setting creates immediacy and emotional directness. The hook sticks in your head and builds power as more voices join in, transforming a personal concern into a collective statement. This is music that feels urgent without being preachy.

Who it's for

This piece belongs in any choir grades 5-12 that wants to sing about something meaningful. Two-part voicing makes it accessible for developing choirs while the subject matter resonates deeply with young people who navigate bullying and exclusion in their own lives.

How to get the most out of it

  • Establish the groove early in rehearsals. The contemporary rock idiom depends on rhythmic precision and pocket feel; lock in the foundational pulse before layering harmonic details.
  • Build dynamics gradually through the piece. With a hook that repeats, resist the urge to peak too early. Save your strongest moment for a final statement of the main message.
  • Assign soloists strategically. The flexible solo passages work best when different voices share them, creating variety and giving more students ownership of the piece.
  • Use the recorded accompaniment to anchor rehearsals, especially when teaching the contemporary style. It models the energy and helps singers internalize the rock feel.

How to use it

Pair this with other choral selections that explore themes of community and acceptance, or feature it prominently in a concert centered on student voices and peer concerns. The contemporary style and accessible voicing make it an excellent choice for spring programming when you want pieces that engage both audience and singers.

Skills your students will build

  • singing contemporary rock idiom and rhythm patterns
  • balancing solo and ensemble singing within one piece
  • shaping a simple melodic hook through repetition and dynamic contrast
  • reading and performing two-part harmony with flexible solo insertion points

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