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The Power of One: 3-Part Mixed Choral Octavo

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The Power of One Cover Image

The Power of One: 3-Part Mixed Choral Octavo

Words by Beth Jacoby, music by Larry King

Item: 00-39942

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Description
A desire to help young people confront the issues of bullying and exclusion led to the writing of this contemporary rock ballad. Everyone sings a powerful hook that addresses this relevant concern, and many flexible solo opportunities give a voice to individuals. This title is available in Music Prodigy.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081446028
SKU: 00-39942

More about this title

Why we love this

King writes with a clear understanding of what matters to young singers, and he doesn't shy away from real issues. The contemporary rock ballad setting makes this accessible to choirs that want to program something current without sacrificing musicality, and the flexible solo opportunities ensure that every student in your ensemble gets a moment to shine.

What to expect

The contemporary rock ballad setting creates an intimate yet confident sound. A powerful, singable hook anchors the piece while flexible solo passages allow individual voices to emerge, making each singer feel seen and valued within the larger ensemble.

Who it's for

This piece speaks directly to middle and high school choirs ready to engage with repertoire that addresses the world around them. It works equally well for directors seeking a secular contemporary title with substance or for those building concerts that include student voice and peer perspective.

How to get the most out of it

  • Balance the hook so it lands with clarity and unity across all three parts. Singers often oversing contemporary pop-style material; remind them that precision and lightness will serve the message better than volume.
  • Distribute solo opportunities strategically during rehearsals so every voice part has ownership of at least one moment. This builds investment in the piece from everyone, not just the designated soloists.
  • Use the recorded accompaniment to lock the rhythmic pocket early. Contemporary rock ballads live or die by their groove, and the rhythm section needs to sit solidly before you layer the voices.

How to use it

Program this as a standalone statement about inclusion and courage, or pair it with other socially conscious repertoire to build a thematic concert block. Its contemporary style makes it an ideal bridge between classical and pop-oriented programming, especially effective in spring concerts or student-focused events.

Skills your students will build

  • Singing contemporary rock rhythms and groove-based phrasing
  • Balancing individual solo expression with ensemble cohesion
  • Interpreting and performing music with social-emotional relevance
  • Part independence in 3-part mixed voicing

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