The Never Ending Story Sheet Music Preview

The Never Ending Story: SATB Choral Octavo

Words and music by Giorgio Moroder and Keith Forsey / arr. Alan Billingsley

Item: 00-PO-0006279

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Description
This retro blast from the past made its debut in the 1984 fantasy movie of the same title and went on to hit the top of the pop charts in the U.S. and throughout Europe. Featured prominently in the season 3 finale of Stranger Things---as the kids from Hawkins, Indiana attempt to save the world . . . again. Alan's awesome arrangement promises to be an easy-to-teach singer favorite! This title is available in MakeMusic Cloud.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0006279

More about this title

About the Composer: Giorgio Moroder

Giorgio Moroder stands as one of the most influential electronic music producers and composers of the late 20th century. His pioneering work in synthesizer-based composition fundamentally shaped disco, dance, and pop music throughout the 1970s and 1980s, earning him recognition as a master of both studio production and melodic songwriting.

Why we love this

Alan Billingsley's arrangement strips this synth-pop masterpiece down to its essential melodic and harmonic core, making it singable for mixed choirs without sacrificing the song's infectious energy. Your singers will recognize it instantly, and the straightforward vocal writing means you can spend rehearsal time on musicality and blend rather than wrestling with complex part writing. It's a genuine crowd-pleaser that works equally well at pops concerts, variety shows, or mixed programming where you want to connect with your audience's actual musical memory.

What to expect

The song carries the unmistakable shimmer and forward momentum of 1980s synthesizer pop, yet the choral voicing grounds it in warmth and human presence. Singing it creates a sense of nostalgic energy and cinematic grandeur, transforming a solo pop hit into a unified ensemble statement without losing the magic that made it a chart-topper.

Who it's for

Choirs looking to perform contemporary pop music in an accessible, well-crafted arrangement will find this an ideal choice. The SATB voicing works for middle school through adult ensembles seeking repertoire that engages both singers and audiences. Directors programming variety concerts or pops events benefit from material that combines genuine musical interest with immediate recognizability.

How to get the most out of it

  • Anchor the rhythm section (basses and tenors on the lower line, sopranos and altos on the higher melody) so the forward motion never sags; this song lives and dies by groove, and rhythmic precision keeps it snappy.
  • Shape the phrase contours with conviction. Each melodic phrase deserves intentional breath placement and slight dynamic swell, avoiding a monotone delivery that would flatten the arrangement's pop sensibility.
  • Use the recorded accompaniment if available to lock the harmonic foundation in rehearsal, then gradually reduce reliance on it as your singers internalize the harmonic colors Moroder built into the original.
  • Balance the soprano melody with supported alto and tenor parts; this arrangement's beauty depends on clarity of line without anyone drowning out the harmonic texture.

How to use it

This works beautifully as a finale to a pop or variety concert, where its familiarity and uplifting character send audiences home smiling. It also pairs naturally with other retro pop selections or '80s repertoire as part of a thematic program. Consider featuring it in a movie music concert or a Stranger Things themed event where its recent cultural moment resonates with younger audiences.

Skills your students will build

  • Maintaining rhythmic precision in pop/popular music contexts
  • Balancing four-part harmony while preserving melodic clarity
  • Working with recorded accompaniment for intonation and groove reference
  • Shaping pop phrasing with appropriate breath placement and dynamic contour

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