The Music of M-G-M (A Choral Medley): Choral Octavo Orchestration
Arr. Greg Gilpin
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Description
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About the Arranger: Greg Gilpin

Greg Gilpin is an ASCAP award-winning choral composer and arranger who has shaped contemporary choral music through both his writing and his leadership in music education. His conducting has taken him to prestigious venues including Carnegie Hall, Lincoln Center, the Sydney Opera House, and Royal Festival Hall, establishing him as a respected voice in American choral performance. As Director of Educational Choral Publications for Shawnee Press, Gilpin continues to influence how choirs across the country discover and perform new repertoire.
Beyond the concert hall, Gilpin has expanded his creative reach into film scoring, winning Best Score in 2021 for the short film "Rosie's Rescue." He holds active memberships in ACDA, NAfME, and SAG-AFTRA, and remains a Life Loyal Member of Phi Mu Alpha Sinfonia. His versatility as a musician, educator, and creative professional reflects a deep commitment to sustaining artistic communities.
Why we love this
Gilpin and Schmutte understand the power of narrative through music; this medley doesn't just string together Hollywood's greatest hits, it builds momentum and delivers genuine entertainment value that keeps audiences engaged from start to finish. The orchestration is sophisticated enough to feel like a production without overwhelming your singers, and the recorded accompaniment option means you can perform this at concert quality regardless of your ensemble's instrumental resources. High school and show choirs especially benefit from arrangements like this one that feel theatrical and professional while remaining achievable in rehearsal.
What to expect
You're transported into the golden age of cinema, where melodic generosity and orchestral lushness meet contemporary choral arranging craft. The medley format creates momentum and theatrical energy while individual songs breathe with their own character, and the full orchestration makes even modest ensembles sound like they're performing at a major motion picture premiere.
Who it's for
High school choirs and show choirs who want to program something that feels polished and entertaining without compromising musical substance. Singers benefit from the variety of styles within the medley, and the orchestration gives them the experience of performing with full instrumental support. This is ideal for groups comfortable with contemporary arranging and eager to engage audiences with familiar, beloved material.
How to get the most out of it
- Balance the vocals across your sections early in rehearsal; the medley format means quick transitions between songs require singers to lock in their blend without extensive warm-up between movements.
- If using live instrumental accompaniment, schedule a full run-through with the orchestra well before performance so your singers can adjust to real tempo flexibility and dynamic response from musicians rather than relying solely on the recorded track.
- Layer in staging and movement during mid-rehearsal rather than waiting until tech week; this medley's entertainment value multiplies when singers inhabit the material, and early blocking rehearsals help solidify musicality.
- Pay attention to key and register shifts between songs; some singers may strain during transitions if you don't explicitly rehearse the specific passages where the vocal range jumps or the mood changes.
How to use it
Close a concert with this medley to send your audience out energized and smiling; its entertainment value and polish make it a natural finale. Alternatively, program it as the centerpiece of a movie-themed concert where you can build context around Hollywood's influence on American musical theater. Show choirs will find it particularly valuable for competitions or spring performances where visual staging and recorded accompaniment are allowed.
Skills your students will build
- Stylistic flexibility across multiple song genres within a single piece
- Singing through key modulations and register shifts
- Coordinating movement and staging while maintaining vocal precision
- Blending vocals with full orchestral texture
- Responding to both recorded accompaniment and live instrumental direction