The Mountain Cover Image

The Mountain: String Orchestra Conductor Score & Parts

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The Mountain Cover Image

The Mountain: String Orchestra Conductor Score & Parts

As Performed by Trans-Siberian Orchestra (Based upon "Mars, the Bringer of War" from The Planets by Gustav Holst and "In the Hall of the Mountain King" by Edvard Grieg)

Composed by Paul O'Neill and John Olivia / arr. Bob Phillips

Grade: 3

Item: 00-46697

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Description
Great for the holidays, as with all TSO pieces, yet based on classical music so also fitting for any pops concert, "The Mountain," arranged by Bob Phillips, is another Trans-Siberian hit! Based upon "Mars, the Bringer of War" from The Planets by Gustav Holst and "In The Hall of the Mountain King" from Peer Gynt Suite by Edvard Grieg, this energetic setting of beloved favorites will rock your concert. Includes optional electric guitar, electric violin, electric bass, percussion, and piano parts. For a great opener or closer, this piece can be combined with the band arrangement by the same name (00-46634) for a joint number.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Mountain: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Concert String Orchestra
Publisher: Alfred Music
Page Count: 152
UPC: 038081536972
SKU: 00-46697

More about this title

About the Composer: Paul O'Neill

Paul O'Neill founded the Trans-Siberian Orchestra in 1996, bringing orchestral rock to mainstream audiences through elaborate multimedia productions and holiday touring. His compositional vision blends classical music with contemporary rock sensibilities, creating arrangements that reach beyond traditional concert hall demographics and invite broader community engagement with instrumental music.

Why we love this

Bob Phillips's arrangement transforms two orchestral titans into a single, propulsive opener or closer that generates real excitement without sacrificing orchestral coherence. The optional electric instruments let you scale the sound from traditional string orchestra to full rock ensemble depending on your personnel and venue, and the Grade 3 scoring ensures your students can deliver the energy this material demands.

What to expect

Driving and relentless, with an almost cinematic intensity that builds from familiar melodic anchors. There's a theatrical swagger here, powered by insistent rhythms and bold orchestral colors that recall both classical grandeur and contemporary concert rock.

Who it's for

String orchestras at the intermediate level looking for a high-energy vehicle that speaks to student performers and audiences alike. This works equally well for holiday programming, pops concerts, and any director seeking an opener or closer with genuine audience impact.

How to get the most out of it

  • Balance the driving rhythmic energy of the Grieg material with the darker, more massive sonorities borrowed from Holst; these two worlds live in the same piece, so clarity matters as much as power.
  • If you're using electric instruments, rehearse them separately first to establish their groove, then integrate gradually so the acoustic strings aren't overwhelmed.
  • Lock the section leaders on the accented unison figures that propel the piece forward; these moments define the character and need precision across all stands.
  • Let the optional percussion enhance rather than dominate, especially in passages where the strings carry the melodic weight.

How to use it

Position this as your concert opener to establish energy and command attention immediately, or save it for the finale to send audiences out exhilarated. If you're fielding both a string orchestra and a concert band program, the band arrangement (00-46634) creates a natural dual-ensemble moment that amplifies the impact.

Skills your students will build

  • Balancing articulation across string sections in rapid unison passages
  • Executing sudden dynamic shifts and accented figures with ensemble precision
  • Sustaining energetic rhythmic drive without sacrificing intonation
  • Interpreting orchestral material informed by rock and contemporary music idioms
  • Coordinating with optional electric instruments if used

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