The Little Drummer Boy Cover Image

The Little Drummer Boy: SAB Choral Octavo

$1.60 USD
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The Little Drummer Boy Cover Image

The Little Drummer Boy: SAB Choral Octavo

Words and music by Katherine K. Davis, Henry Onorati, and Harry Simeone / arr. Kirby Shaw

Level: Moderate

Item: 00-CHM03044

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Description
Here's a fresh, new approach to a Christmas classic from the talented pen of Kirby Shaw. With its rhythmic drive and Latin feel, this one is a guaranteed winner with your choirs and praise teams. Don't miss it!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 654979059455
SKU: 00-CHM03044

More about this title

About the Composer: Katherine K. Davis

Katherine K. Davis composed one of the most performed Christmas pieces in the world. Her gift for melody and emotional directness made "The Little Drummer Boy" a holiday standard that has been recorded hundreds of times across genres and generations.

Davis worked as a composer and educator, creating music that reaches both professional and community musicians. Her work demonstrates how a strong compositional idea, rooted in simple storytelling, can transcend its original context and become part of American musical culture.

Why we love this

Kirby Shaw's arrangement strips away sentimentality and gives this familiar carol genuine rhythmic energy. The Latin percussion framework and driving pulse transform a reflective song into something your choir will actually enjoy singing and your audience will feel in their bodies, making it a refreshing alternative to slower seasonal fare.

What to expect

There's momentum here. The Latin influence gives the familiar melody a worldly shimmer, and the rhythmic undercurrent keeps things moving forward even as singers deliver the humble story of the drummer boy. It's reverent in spirit but alive in execution.

Who it's for

This arrangement suits intermediate choral groups seeking a holiday number with character and drive. Praise teams, show choirs, and traditional choirs all benefit from a carol that lands with energy rather than nostalgia.

How to get the most out of it

  • Establish the Latin groove in rehearsal before focusing on blend. Have rhythm section members or instrumentalists play the accompaniment pattern alone so singers internalize the feel, then layer voices in.
  • Keep the articulation crisp and aligned with the rhythmic drive. Over-legit singing will undermine the propulsive energy Shaw has built into the arrangement.
  • Use the recorded accompaniment in early rehearsals to anchor tempo and feel, then gradually reduce dependence so your singers develop ownership of the pulse.
  • Balance the soloistic moments (if any passages feature leads) with the group sound. This isn't a solo showcase, so make sure featured singers serve the larger choral texture.

How to use it

Program this as a midpoint or closing number in a Christmas concert to shift the emotional temperature. Its rhythmic character pairs well alongside slower, more traditional selections, creating dynamic contrast and keeping audience energy high.

Skills your students will build

  • Reading and performing syncopated rhythms in a choral context
  • Maintaining rhythmic precision while singing the sustained vocal line
  • Responding to Latin percussion and accompaniment patterns
  • Balancing individual voice part clarity within a three-part mixed voicing

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