The Little Drummer Boy Cover Image

The Little Drummer Boy: 2-Part Choral Octavo

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The Little Drummer Boy Cover Image

The Little Drummer Boy: 2-Part Choral Octavo

Words and music by Katherine K. Davis, Henry Onorati, and Harry Simeone / arr. Kirby Shaw

Level: Moderate

Item: 00-CHM03045

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Description
Here's a fresh, new approach to a Christmas classic from the talented pen of Kirby Shaw. With its rhythmic drive and Latin feel, this one is a guaranteed winner with your choirs and praise teams. Don't miss it!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Little Drummer Boy: 2-Part Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 654979059462
SKU: 00-CHM03045

More about this title

About the Composer: Katherine K. Davis

Katherine K. Davis composed "The Little Drummer Boy" in 1941, creating one of the most enduring Christmas songs in the American songbook. Her gift for melody and her ability to capture emotional simplicity made this carol resonate across generations of singers and listeners.

Why we love this

Kirby Shaw's arrangement strips away sentimentality and injects real rhythmic energy into this perennial favorite. The Latin percussion drive gives young singers something kinetic to latch onto, making it engaging rather than dutiful, and the 2-part voicing keeps focus on the groove while remaining accessible.

What to expect

Warm but propulsive, grounded in a steady Latin pulse that feels both modern and timeless. The familiar melody sits atop a rhythmic foundation that makes singers want to move, creating a version of this carol that feels alive and present rather than reverent.

Who it's for

Middle school and high school choirs, plus praise teams and adult community choirs looking for an accessible yet musically interesting holiday piece. Any ensemble seeking a Christmas arrangement that feels contemporary and energetic rather than traditional will find real value here.

How to get the most out of it

  • Lock the rhythm section tight. The Latin feel only lands if your accompanist and any percussion players (if using the optional instrumental parts) stay locked together; rehearse those layers separately first.
  • Shape the melody with intention, not saccharine sweetness. The rhythmic approach asks for clean articulation and forward motion, so encourage singers to sing through the phrase rather than dwelling on sentimental moments.
  • Use the recorded accompaniment to establish the groove in early rehearsals. Hearing the intended Latin feel from day one helps singers internalize the style rather than defaulting to a slow, hymn-like approach.
  • Balance the parts clearly. In 2-part writing, both lines carry equal weight, so make sure your lower voices aren't buried; this arrangement deserves sonic clarity.

How to use it

Pair it with a slower, more reflective carol to create dynamic contrast in a holiday concert, or use it as an opener to establish energy. Its moderate difficulty and audience familiarity make it ideal for a mid-set placement where you want to engage listeners without demanding their full attention for a serious moment.

Skills your students will build

  • Latin rhythm and groove feel
  • Rhythmic precision and ensemble lock
  • Maintaining forward motion in a pop/contemporary idiom
  • Balance and blend in 2-part voicing
  • Stylistic contrast between traditional and contemporary approaches to the same melody

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