The Lady is a Tramp (from "Babes In Arms"): Piano/Vocal/Chords
60 Songs from M-G-M's Greatest Movie Musicals
Item: 00-PS-0010826
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Description
Titles: Broadway Melody * Singin' in the Rain * Temptation * I've Got a Feelin' You're Foolin' * Easy to Love * My Man * A Pretty Girl is Like a Melody * Dear Mr. Gable/You Made Me Love You * Some of These Days * Zing! Went the Strings of My Heart * Babes in Arms * Good Morning * Puttin' on the Ritz * Over the Rainbow * Begin the Beguine * Lover, Come Back to Me * Fascinating Rhythm * You Stepped Out of a Dream * For Me and My Gal * Just One of Those Things * Taking a Chance on Love * But Not for Me * Honeysuckle Rose * The Trolley Song * I Fall in Love Too Easily * On the Atchison, Topeka & the Santa Fe * The Last Time I Saw Paris * Steppin' Out with My Baby * I Wish I Were in Love Again * The Lady Is a Tramp * Manhattan * Thou Swell * They Can't Take That Away from Me * New York, New York * There's No Business Like Show Business * Get Happy * I Wanna Be Loved by You * I Got Rhythm * I'll Build a Stairway to Paradise * Love Is Here to Stay * Can't Help Lovin' Dat Man * Ol' Man River * Smoke Gets in Your Eyes * Make 'Em Laugh * You Are My Lucky Star * Dancing in the Dark * I Guess I'll Have to Change My Plan * That's Entertainment! * From This Moment On * Hi-Lili, Hi-Lo * Bless Yore Beautiful Hide * Ten Cents a Dance * I Like Myself * True Love * Well, Did You Evah? * You're Sensational * All of You * Stereophonic Sound * Gigi * I Remember It Well.
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About the Composer: Richard Rodgers
Richard Rodgers (1902–1979) shaped American musical theater through his gift for melody and harmonic sophistication. His partnership with lyricist Lorenz Hart, followed by his equally legendary work with Oscar Hammerstein II, produced some of the most enduring songs in the American songbook. Rodgers' music remains central to music education because it balances accessibility with genuine compositional craft; students can learn from his clear song structures, inventive harmonic language, and ability to serve the dramatic moment without sacrificing musicality.
As a composer for both stage and film, Rodgers understood how to write music that moves singers and audiences alike. His melodies sit naturally in the voice, his chord progressions teach harmonic thinking, and his rhythmic clarity makes his work ideal for performers building confidence and interpretive skill.
Why we love this
This collection spans Rodgers' greatest film musical work, offering singers and pianists immediate access to songs that audiences actually recognize and love. The variety here is remarkable; you get swing standards, tender ballads, novelty numbers, and showstoppers all in one book, making it practical for recitals, rehearsals, or simply exploring why these songs have lasted nearly a century.
What to expect
Stepping into the golden age of American musicals, where melody is king and charm runs deep. These songs carry the wit, sophistication, and emotional directness of pre-rock popular music; they feel elegant without being stuffy, playful without losing substance. Whether you're singing about Manhattan or falling in love, the music invites both vocal freedom and interpretive nuance.
Who it's for
Pianists and singers preparing recital material, jazz singers building their repertoire, choral directors seeking solo features for concerts, and music students learning the foundations of American songwriting and harmonic language. Anyone exploring classical musical theater standards will find immediate, professional-quality sheet music across multiple moods and keys.
How to get the most out of it
- Study the lyric as carefully as the melody. Rodgers wrote music that serves the text, so understanding what the song is about (whether it's playful rejection in 'The Lady Is a Tramp' or wistful longing elsewhere) shapes phrasing and emotional arc.
- Pay attention to the chord symbols and use them actively. These songs reward jazz-informed comping; you'll notice the harmonic language shifts between registers and suggests specific voicing choices that enhance style and character.
- Recognize the era and style of each song. The 1930s-1950s aesthetic includes specific approaches to swing feel, rubato in ballads, and diction that differ from modern pop; listening to era-appropriate recordings helps nail authenticity.
- Balance ensemble awareness with the written line. Many of these songs work equally well in group settings or as solo features, so adjust your approach based on context while keeping the melody strong and clear.
How to use it
Use this collection to create a themed recital or concert segment celebrating classic American songwriting without leaving the page to hunt multiple sources. Mix and match by mood, key, or decade to build variety within a show; the range of styles means you can move from uptempo novelty numbers to intimate ballads while staying within cohesive musical tradition. Solo singers can pull individual pieces for lesson repertoire or performance; accompanists benefit from having consistent, reliable arrangements across this entire canon.
Skills your students will build
- Reading and interpreting chord symbols in real time
- Singing songs written across different eras and styles (1930s-1950s popular song idiom)
- Understanding song form and harmonic function in standards
- Balancing melody, accompaniment, and lyrical content in performance
- Developing stylistically informed interpretation of jazz and popular vocal music
- Sight-reading multiple song forms and key areas from a single source