I Wanna Be Loved By You (from "Three Little Words"): Piano/Vocal/Chords
60 Songs from M-G-M's Greatest Movie Musicals
Item: 00-PS-0010844
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Description
Titles: Broadway Melody * Singin' in the Rain * Temptation * I've Got a Feelin' You're Foolin' * Easy to Love * My Man * A Pretty Girl is Like a Melody * Dear Mr. Gable/You Made Me Love You * Some of These Days * Zing! Went the Strings of My Heart * Babes in Arms * Good Morning * Puttin' on the Ritz * Over the Rainbow * Begin the Beguine * Lover, Come Back to Me * Fascinating Rhythm * You Stepped Out of a Dream * For Me and My Gal * Just One of Those Things * Taking a Chance on Love * But Not for Me * Honeysuckle Rose * The Trolley Song * I Fall in Love Too Easily * On the Atchison, Topeka & the Santa Fe * The Last Time I Saw Paris * Steppin' Out with My Baby * I Wish I Were in Love Again * The Lady Is a Tramp * Manhattan * Thou Swell * They Can't Take That Away from Me * New York, New York * There's No Business Like Show Business * Get Happy * I Wanna Be Loved by You * I Got Rhythm * I'll Build a Stairway to Paradise * Love Is Here to Stay * Can't Help Lovin' Dat Man * Ol' Man River * Smoke Gets in Your Eyes * Make 'Em Laugh * You Are My Lucky Star * Dancing in the Dark * I Guess I'll Have to Change My Plan * That's Entertainment! * From This Moment On * Hi-Lili, Hi-Lo * Bless Yore Beautiful Hide * Ten Cents a Dance * I Like Myself * True Love * Well, Did You Evah? * You're Sensational * All of You * Stereophonic Sound * Gigi * I Remember It Well.
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About the Composer: Herbert Stothart
Herbert Stothart (1885-1949) was one of Hollywood's most prolific film composers, crafting the musical backbone of MGM's golden age. His work spanned operettas, ballets, and full orchestral scores that defined the studio's sound during the 1930s and 1940s. Stothart's gift for melody and sophisticated harmonic language made him an essential architect of the film musical genre.
Harry Ruby (1889-1974) was a songwriter whose catalog of standards emerged from both Broadway and Hollywood productions. His melodies combined catchiness with musical substance, creating songs that endured far beyond their original films. Ruby's partnership with composers like Stothart produced some of the era's most singable and memorable material.
Why we love this
This collection captures the pinnacle of MGM's musical storytelling, where every song was written to serve a narrative moment and a star's vocal strength. You get genuine standards alongside deeper cuts from the catalog, offering singers repertoire that feels both familiar and rewarding. The sheer quality and breadth make this an ideal resource for anyone building a classic American song foundation.
What to expect
Opening this collection feels like stepping onto an MGM soundstage where elegance, wit, and genuine emotion coexist. The arrangements sparkle with sophistication while remaining accessible, capturing the particular magic of a era when popular song and theatrical ambition reinforced each other. Each page carries the confidence of music written for world-class singers and orchestras, now available for your own performance.
Who it's for
This book serves singers and pianists exploring the American standard repertoire, from high school musical theater programs to college voice and piano studios. Pianists working as collaborative musicians or teaching accompaniment will find polished, singable arrangements across a wide stylistic range. Anyone programming a concert of vintage Hollywood song or building proficiency with mid-century popular song will find substantial material here.
How to get the most out of it
- Balance the vocal line with piano voicings that support rather than double the melody; these arrangements assume a singer carrying the phrase clearly.
- Pay attention to the rhythmic specificity in the accompaniment patterns, which often evoke the dance or dramatic mood of the original film moment.
- Treat dynamic markings as expressive guides rooted in the song's emotional arc, not as mechanical adjustments.
- Use the chord symbols to explore interpretive comping if you're improvising, but honor Stothart's written voicings first to understand his harmonic intent.
How to use it
Program individual songs across a season of American vocal repertoire, mixing them with contemporary work to show the evolution of song craft. Use selections in a recital dedicated to Hollywood standards or as encore material that connects with audiences across age groups. Singers preparing for auditions or competition will find material that demonstrates command of legit singing, style, and interpretive maturity.
Skills your students will build
- Reading and interpreting piano/vocal scores with chord symbols
- Phrasing and text interpretation in narrative-driven song
- Collaboration between singer and accompanist
- Understanding harmonic vocabulary and voicing techniques from the mid-century era
- Stylistic flexibility across comedic, romantic, and dramatic material