The Lady Is a Tramp Cover Image

The Lady Is a Tramp: Choral SoundPax

$35.00 USD
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The Lady Is a Tramp Cover Image

The Lady Is a Tramp: Choral SoundPax

Words by Lorenz Hart, music by Richard Rodgers / arr. Kirby Shaw

Item: 00-38202

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Description
Lady Gaga and Tony Bennett have spiced up this Rogers and Hart standard, originally written for the musical Babes in Arms. Kirby keeps it kickin'!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Lady Is a Tramp: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 28
UPC: 038081426730
SKU: 00-38202
Instrumentation: SoundPax

More about this title

About the Composer: Richard Rodgers

Richard Rodgers (1902-1979) stands as one of the most prolific and influential composers in American musical theater. His partnership with lyricist Lorenz Hart produced some of the Great American Songbook's most enduring standards, including songs that have become repertoire staples across jazz, pop, and choral settings. Rodgers's gift for melody and harmonic sophistication made his work immediately singable yet musically substantial—a quality that explains why his songs remain central to music education decades after their creation.

Why we love this

Kirby Shaw's arrangement captures the swagger and sophistication that made the Lady Gaga and Tony Bennett version so compelling, while keeping the charm of the original standard intact. The SoundPax format gives your choir both the freedom to perform at concert with instrumental accompaniment and the flexibility to rehearse efficiently. It's a number that sits naturally in pop choral voices and lands hard with audiences.

What to expect

Witty, confident, and urbane. This arrangement swings with attitude without ever losing sight of the song's melodic elegance. There's charm in the lyrics, sophistication in the harmonies, and genuine fun in the delivery.

Who it's for

Mixed or treble choirs seeking a contemporary take on a golden age standard. Directors who want a piece that bridges classic songwriting with current arrangements and audiences that recognize the melody but hear it fresh.

How to get the most out of it

  • Balance the attitude throughout: this tune demands confidence and a clean, conversational phrasing. The words matter as much as the notes do.
  • Use the recorded accompaniment during dress rehearsal to lock in the exact tempo and feel Kirby Shaw had in mind for this arrangement.
  • Nail the rhythmic precision of the sectional hits. Their impact depends on tight ensemble attack, not volume.

How to use it

Program this as a centerpiece for a standards-meets-contemporary set, or as a solo feature within a pop or show tune concert. It works equally well as a concert opener that signals energy and musicality, or as a showcase for ensemble polish and rhythmic sophistication.

Skills your students will build

  • Singing in a contemporary pop style while honoring lyrical clarity
  • Rhythmic precision and sectional ensemble balance in syncopated passages
  • Interpreting dynamics and phrasing to convey lyrical attitude and storytelling
  • Blending with recorded accompaniment and responding to instrumental cues

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