The House Is Rockin' Cover Image

The House Is Rockin': SAB Choral Octavo

$1.85 USD
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The House Is Rockin' Cover Image

The House Is Rockin': SAB Choral Octavo

Words and music by Doyle Bramhall and Stevie Ray Vaughan / arr. Alan Billingsley

Item: 00-31217

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Description
"Don't bother knockin', come on in!" This powerhouse opener will kick your concert into gear. A sensational high energy arrangement from top to bottom. Wow!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081339887
SKU: 00-31217

More about this title

About the Composer: Doyle Bramhall

Doyle Bramhall is a Texas blues guitarist and singer-songwriter whose work spans decades of blues, rock, and soul music. His compositions carry the swagger and authenticity of live performance, grounded in the blues tradition while remaining accessible across genres.

Why we love this

Alan Billingsley's arrangement captures the raw energy of the original without overwhelming SAB voicing. The piece moves fast enough to feel genuinely exciting but sits comfortably for choirs without extensive pop/rock experience. Your singers will leave rehearsal buzzing, and audiences will remember this one.

What to expect

Walking into a venue where the band has already started playing. There's urgency, swagger, and the kind of confidence that comes from knowing exactly what you're doing. The arrangement swings hard while staying true to the song's blues roots.

Who it's for

Choirs seeking a show-stopping opener with genuine musical substance. This works for high school and community groups comfortable with pop/rock material and singers who respond to contemporary energy rather than classical elegance.

How to get the most out of it

  • Nail the rhythmic unison sections early. The groove depends on locking the rhythm, not on perfect blend, so drill those syncopated hits together before worrying about voice-part balance.
  • Use the recorded accompaniment to anchor tempo and feel during rehearsals. The groove may feel unfamiliar to singers trained on classical repertoire, so let them hear it repeatedly.
  • Shape the dynamics across the entire phrase rather than accent individual words. This material asks for sweep and confidence, not careful enunciation.
  • Treat the final section as a true build. The energy should feel like it's earned, not just loud.

How to use it

Open a concert with this to set an electric tone immediately. It pairs well with other contemporary secular pieces and creates natural contrast if you follow it with something more lyrical. The 12-page format and straightforward arrangement mean it won't consume excessive rehearsal time.

Skills your students will build

  • Rhythmic precision in syncopated pop/rock patterns
  • Sustaining energy and commitment through a high-octane arrangement
  • Blending SAB voicing while maintaining rhythmic definition
  • Responding to recorded accompaniment and groove-based conducting
  • Stylistic flexibility beyond classical choral conventions

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