The House Is Rockin' Cover Image

The House Is Rockin': Choral SoundPax

$40.00 USD
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The House Is Rockin' Cover Image

The House Is Rockin': Choral SoundPax

Words and music by Doyle Bramhall and Stevie Ray Vaughan / arr. Alan Billingsley

Item: 00-31220

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Description
"Don't bother knockin', come on in!" This powerhouse opener will kick your concert into gear. A sensational high energy arrangement from top to bottom. Wow! SoundPax includes t. sax., b. sax., 2 tpt., tbn., synth., rhy.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 36
UPC: 038081339917
SKU: 00-31220
Instrumentation: SoundPax

More about this title

About the Composer: Doyle Bramhall

Doyle Bramhall is a blues and rock musician whose songwriting captures the swagger and energy of Texas roadhouse blues. His collaboration with Stevie Ray Vaughan produced some of the most recognizable rock-blues material, combining gritty guitar riffs with irresistible grooves that translate beautifully to choral contexts.

Bramhall's influence on popular music extends beyond his own recordings; his songs have become standards in rock and blues repertoire. For choral directors, his work offers authentic material that engages students in contemporary idioms while maintaining musical substance.

Why we love this

Alan Billingsley's arrangement strips away none of the original's attitude. The SoundPax instrumentation locks the rhythm section while saxes, trumpets, and trombone carry the riffs that made this track iconic, giving your choir a backing band that actually swings. Opening a concert with this piece signals to your audience that you're not interested in playing it safe.

What to expect

Walking into a packed venue where the energy is already crackling. The moment the band hits, you feel the momentum; the choir enters as the main attraction, not an addition. It's bold, it's fun, and it makes an unmistakable first impression.

Who it's for

High school and adult choirs ready to command a room. This arrangement demands confident singers who can lock into a rock groove and directors who want to program contemporary repertoire with serious musicality.

How to get the most out of it

  • Plant your groove in the rhythm section and synth; lock the pocket before worrying about polish. This arrangement thrives on precision timing, not prettiness.
  • Let the articulation in the horn parts breathe with your choir's phrasing. The sax and trumpet figures should feel conversational with the vocal line, not competing for space.
  • Build dynamics gradually through the form rather than jumping to full intensity immediately. The power of this opener comes from forward momentum, not from starting at ten.
  • Check balance between your treble and lower voices in the unison and harmonized sections; the synth will fill gaps, but your choir's blend should anchor the sound.

How to use it

Use this as your concert opener to set an energetic, contemporary tone immediately. It pairs well with other pop or rock selections in the Alfred series and creates natural contrast when followed by a ballad or classical work. The compact arrangement (36 pages) makes it manageable for programs that span multiple genres.

Skills your students will build

  • Singing with rhythmic precision in a rock/pop idiom
  • Interpreting lyrical phrasing over a steady groove
  • Balancing vocal blend while maintaining individual articulation clarity
  • Responding to instrumental accompaniment with confidence and independence

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