The First Nowell: A Christmas Carol Cover Image

The First Nowell: A Christmas Carol: Choral Score

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The First Nowell: A Christmas Carol Cover Image

The First Nowell: A Christmas Carol: Choral Score

By Arthur Harris / arr. William H. Silvester

Grade: 3

Item: 36-M906092

$2.75
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Description
The works in the Arthur Harris Christmas Series were originally written for orchestra, with several offering the option to add chorus.  These transcriptions for band, both by William Silvester or Arthur Harris himself, retain the quality of the original orchestrations, offering bands the optional opportunity to perform with chorus during the Christmas season.  Choral scores for each work are available separately.  Band series with chorus includes: Silent Night, Joy to the World, Hark! The Herald Angels Sing, Adeste Fidelis (O Come All Ye Faithful), The First Nowell, O Tannenbaum, and Angels We Have Heard on High.  Transcriptions for band alone includes: O Little Town of Bethlehem, God Rest Ye Merry Gentlemen, Joy to the World, Deck the Halls, and We Wish You a Merry Christmas.

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Additional Details
Series: Arthur Harris Christmas Series - LudwigMasters
Publisher: Keiser Productions, Inc.
UPC: 735816049607
SKU: 36-M906092
Instrumentation: Concert Band, Chorus with Ensemble

More about this title

Why we love this

This choral score pairs seamlessly with the band arrangement, giving your ensemble a genuine collaborative opportunity during the holiday season. The orchestral pedigree comes through in every phrase, elevating what could be a standard carol into something your audience will actually listen to rather than simply tolerate.

What to expect

Lush and resonant, with the weight of full orchestral harmony supporting every vocal phrase. The choral writing sits comfortably in the voices while the band provides sophisticated harmonic support that transcends typical carol accompaniment.

Who it's for

Choral directors and band directors running a joint holiday concert or looking to feature chorus as a guest ensemble with their concert band. This score works best when you have singers strong enough to blend with a full band without being overwhelmed, making it ideal for mixed ensembles or music departments collaborating across programs.

How to get the most out of it

  • Balance the chorus against the band by positioning singers where their tone can project without fighting the instrumental sections; you'll likely need less volume than you'd expect from singers alone.
  • Establish the melodic line clearly in a sectional rehearsal with the chorus before combining with the full band, since the orchestral textures can obscure individual voice parts.
  • Mark any divisi passages in advance so singers understand how their line sits relative to the band's harmonic structure.

How to use it

Reserve this for a centerpiece moment in your holiday concert, particularly when you want to demonstrate what happens when your band and choir actually rehearse together. It works beautifully as the second half of a concert that opens with solo band or chorus numbers, creating a satisfying collaborative finale.

Skills your students will build

  • Blending choral tone with instrumental sound
  • Maintaining pitch and intonation while singing against complex band harmonies
  • Balancing ensemble volume and projection across two distinct timbral groups
  • Reading and executing rhythmic figures that align with orchestral counterpoint

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