The First Nowell: A Christmas Carol Cover Image

The First Nowell: A Christmas Carol: Concert Band Conductor Score & Parts

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The First Nowell: A Christmas Carol Cover Image

The First Nowell: A Christmas Carol: Concert Band Conductor Score & Parts

By Arthur Harris / arr. William H. Silvester

Item: 36-M906002

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Description
The works in the Arthur Harris Christmas Series were originally written for orchestra, with several offering the option to add chorus.  These transcriptions for band, both by William Silvester or Arthur Harris himself, retain the quality of the original orchestrations, offering bands the optional opportunity to perform with chorus during the Christmas season.  Choral scores for each work are available separately.  Band series with chorus includes: Silent Night, Joy to the World, Hark! The Herald Angels Sing, Adeste Fidelis (O Come All Ye Faithful), The First Nowell, O Tannenbaum, and Angels We Have Heard on High.  Transcriptions for band alone includes: O Little Town of Bethlehem, God Rest Ye Merry Gentlemen, Joy to the World, Deck the Halls, and We Wish You a Merry Christmas.

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Additional Details
Series: Arthur Harris Christmas Series - LudwigMasters
Publisher: Keiser Productions, Inc.
UPC: 660355037382
SKU: 36-M906002
Instrumentation: Concert Band

More about this title

About the Composer: Arthur Harris

Arthur Harris composed orchestral works that have become staples of seasonal programming across North America. His gift for arranging beloved hymns and carols into rich, singable settings made his Christmas series particularly valued by music educators seeking repertoire that honors traditional melodies while offering sophisticated harmonic and textural possibilities.

Why we love this

William Silvester's transcription preserves the lush orchestral writing that defines Harris's original score while translating it idiomatically for band. The optional chorus parts give you genuine flexibility; you can program this as a concert band feature or invite your choir to join for a truly integrated holiday statement.

What to expect

Warm and reverent without becoming heavy. The familiar carol melody emerges naturally from carefully voiced harmonies, creating an arrangement that feels both earnest and celebratory. There's room for your ensemble to bring expression and personality to every section.

Who it's for

Concert band directors seeking Christmas programming that moves beyond standard march-based holiday fare. This arrangement works for intermediate to advanced ensembles comfortable with sustained harmonic writing and exposed lyrical passages.

How to get the most out of it

  • Balance the melodic line carefully across sections; the familiar tune needs to sing clearly even as harmonic movement shifts beneath it.
  • Explore the dynamic range fully. Harris's orchestrations include delicate accompaniment textures that can easily disappear if the band settles into a uniform volume.
  • If performing with chorus, rehearse sight lines early so singers and instrumentalists feel unified rather than layered on top of each other.
  • Shape the phrasing as you would a hymn arrangement; letting phrases breathe prevents the piece from feeling mechanically steady.

How to use it

Pair this with other Arthur Harris Christmas arrangements to build a cohesive holiday concert, or use it as an emotional centerpiece alongside more rhythmic or contemporary selections. The option to add chorus makes it particularly effective as a finale that invites singers from across your program to participate.

Skills your students will build

  • Balancing multiple harmonic layers while maintaining melodic clarity
  • Shaping sustained phrases with dynamic control
  • Reading and executing parts in sectional arrangements of familiar melodies
  • Coordinating ensemble blend across woodwind, brass, and percussion sections

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