The First Nowell: A Christmas Carol Cover Image

The First Nowell: A Christmas Carol: Concert Band Conductor Score

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The First Nowell: A Christmas Carol Cover Image

The First Nowell: A Christmas Carol: Concert Band Conductor Score

By Arthur Harris / arr. William H. Silvester

Grade: 3

Item: 36-M906001

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Description
The works in the Arthur Harris Christmas Series were originally written for orchestra, with several offering the option to add chorus.  These transcriptions for band, both by William Silvester or Arthur Harris himself, retain the quality of the original orchestrations, offering bands the optional opportunity to perform with chorus during the Christmas season.  Choral scores for each work are available separately.  Band series with chorus includes: Silent Night, Joy to the World, Hark! The Herald Angels Sing, Adeste Fidelis (O Come All Ye Faithful), The First Nowell, O Tannenbaum, and Angels We Have Heard on High.  Transcriptions for band alone includes: O Little Town of Bethlehem, God Rest Ye Merry Gentlemen, Joy to the World, Deck the Halls, and We Wish You a Merry Christmas.

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Additional Details
Series: Arthur Harris Christmas Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-887153-1
ISBN13: 978-1-63-887153-8
UPC: 735816046149
SKU: 36-M906001
Instrumentation: Concert Band, Ensemble Works

More about this title

About the Composer: Arthur Harris

Arthur Harris built a substantial catalog of accessible orchestral and band works throughout the 20th century, with particular strength in writing for educational ensembles. His Christmas series demonstrates his gift for honoring traditional carol melodies while crafting full, engaging orchestrations that work across multiple instrumentation options.

Harris understood what music educators needed: repertoire that respected both the carols' singability and the technical capabilities of student musicians. His approach allowed school programs to tackle substantial holiday concerts without sacrificing musical quality.

Why we love this

Silvester's transcription keeps the orchestral richness that makes Harris's original arrangement sing, but translates it cleanly for band voicing. The optional chorus part gives you programming flexibility: perform it as a concert band showpiece one year, then add singers the next for a fuller holiday production. Grade 3 accessibility means your full ensemble can handle the part writing without sacrificing musicality.

What to expect

Warm and reverent, with the gentle caroling quality of the original melody preserved through clear, singing orchestration. The band voicing feels open rather than dense, letting the familiar tune breathe naturally even as harmonies support it.

Who it's for

Band directors building a holiday concert with both instrumental and vocal options. This is ideal if you want a single arrangement that works whether you have singers available or not, and when your ensemble spans multiple ability levels within Grade 3.

How to get the most out of it

  • Balance the melodic content across sections carefully. This arrangement distributes the carol's recognizable tune across multiple instruments, so ensemble blend matters as much as individual accuracy.
  • Use the optional chorus to shape phrase endings and cadences. If you're not using singers, make sure your band's articulation and phrasing carry those moments with clarity.
  • Keep the harmonic foundation steady in the lower voices. The arrangement's character depends on clear harmonic support underneath the melody.

How to use it

Pair it with the optional choral version (purchased separately) for a multi-movement holiday suite, or feature it as a standalone concert band arrangement if singers aren't available that year. It works equally well opening a holiday pops program or anchoring the second half after more energetic selections.

Skills your students will build

  • Balancing accompaniment figures with solo melodic lines
  • Sustaining tone through phrase lengths characteristic of hymn-based arrangements
  • Ensemble blend and intonation in four-part harmonic writing
  • Coordinate with optional vocal parts (if using chorus)

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