The Colors of Winter Cover Image

The Colors of Winter: 3-Part Mixed Choral Octavo

$1.75 USD
Sale price  $1.75 USD Regular price 
Skip to product information
The Colors of Winter Cover Image

The Colors of Winter: 3-Part Mixed Choral Octavo

Words and music by Lois Brownsey and Marti Lunn Lantz

Item: 00-31015

makemusic Cloud badge

Need it now?

Buy Digital Version
$1.75
Shipped

One moment…

Description
Developing choirs will shine singing this new age piece with a poetic wintertime text. Delicate verses float effortlessly over a shimmering piano ostinato, followed by a haunting chorus based largely upon echo singing. Exquisite.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Colors of Winter: 3-Part Mixed Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081337876
SKU: 00-31015

More about this title

About the Composer: Lois Brownsey

Lois Brownsey

Lois Brownsey and Marti Lunn Lantz have built a substantial catalog of choral works for Alfred Music, drawing on their shared interests in world music and seasonal repertoire. Brownsey's background spans musical theatre, studio performance, and session work; she studied guitar and was active in live performance across rock, pop, and blues ensembles before focusing on composition and recording. Together with Lantz, she has also released song collections celebrating cultural traditions and natural themes. Brownsey currently resides in Pennsylvania, where she and her husband, a recording engineer, operate Red Rock recording Studios, which has become a hub for recording Alfred choral and vocal projects.

Why we love this

This piece trusts developing singers with genuine musicality rather than relying on unison or rhythmic simplicity. The echo singing in the chorus creates an engaging structural hook that students find intuitive and rewarding to execute, while the delicate verse writing over the shimmering ostinato gives choirs a moment of vulnerability and control that builds confidence.

What to expect

Winter through poetic imagery rather than literal description. The verses float with a crystalline quality, anchored by the piano's gentle repetition, while the chorus deepens through call and response, creating a sense of presence and echo within a quiet, snow-filled landscape.

Who it's for

Developing three-part mixed choirs ready to move beyond unison and simple two-part writing but not yet equipped for complex harmonic language. The piece sits comfortably for groups with solid intonation and the ability to track independent lines without constant reinforcement.

How to get the most out of it

  • Shape the verses with careful phrase breathing; the ostinato continues underneath, so mark places where the piano needs slight flexibility to accommodate younger singers' pacing without rushing forward.
  • Highlight the textural contrast between the ethereal verses and the more grounded chorus by adjusting dynamics deliberately rather than gradually; this piece benefits from clean sectional shifts.
  • Balance the echo singing so the second group enters as a true response, not an overlap; this requires active listening and a conductor who cues clearly without constantly signaling.

How to use it

Position this as a centerpiece for a winter or seasonal concert, where it can stand alone or anchor a thematic program of shorter pieces. Its moderate length and accessibility make it equally valuable as a repertoire builder mid-season when developing choirs need material that challenges without overwhelming.

Skills your students will build

  • Echo singing and call-and-response patterns
  • Sustaining independent melodic lines in three-part voicing
  • Maintaining intonation over repeated harmonic accompaniment
  • Interpreting poetic text with vocal color and nuance
  • Balancing between verse and chorus sections using dynamic control

You May Also Like