The Buffalo Strut Cover Image

The Buffalo Strut: Intermediate Piano Sheet

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The Buffalo Strut Cover Image

The Buffalo Strut: Intermediate Piano Sheet

By Timothy Brown

Item: 98-W9440

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Description
Written for the Music Forum for Piano Teachers of Western New York, this is a good introduction to jazz swing. In the key of G minor, the left hand keeps a steady quarter note going most of the time, while the syncopated right hand plays eighth notes and triplets. Whether you’re from Buffalo or points south, this catchy piece will make you want to strut!

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Additional Details
Series: Written For You
Publisher: The FJH Music Company, Inc.
UPC: 241444363102
SKU: 98-W9440

More about this title

Why we love this

Brown captures the infectious energy of swing idiom in a way that feels authentic rather than academic. The hand independence required here serves real jazz musicianship without overwhelming intermediate pianists, and the G minor key gives the piece character that lifts it well beyond generic swing etudes.

What to expect

The piece swaggers. Its steady left hand grounds you while the right hand struts across eighth notes and triplets, syncopated and confident. G minor gives it warmth and swagger without darkness; this is a piece that makes you sit taller at the bench.

Who it's for

Intermediate pianists ready to explore jazz vocabulary beyond classical technique. This piece works for students who've built solid rhythm reading and hand independence and want to apply those skills to swing idiom.

How to get the most out of it

  • Lock the left hand's quarter note pulse first. This is your foundation; it stays steady even when the right hand gets syncopated. Think of it as a heartbeat that never wavers.
  • Shape the syncopated eighth notes and triplets in the right hand with clear articulation and swing feel. Unevenness in the written rhythm is your friend here; lean into the relaxed, behind-the-beat phrasing that defines swing.
  • Listen for where the right hand's syncopation lands against the left hand's quarter notes. The tension between these layers is what gives the piece its strut; don't rush to resolve it.

How to use it

Program this as a bridge between classical and contemporary repertoire, or include it in a jazz-focused recital where it pairs well with other swing standards. It's also perfect as a teaching piece mid-year once students have the technical foundation to handle syncopation with ease.

Skills your students will build

  • Swing rhythm and syncopation (eighth notes and triplets against steady quarter notes)
  • Left and right hand independence with contrasting rhythmic figures
  • Jazz phrasing and articulation
  • Reading and performing in G minor

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