The Buffalo Strut Sheet Music Preview

The Buffalo Strut: Piano

By Timothy Brown

Item: 98-DW9440

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$4.95
Description
Written for the Music Forum for Piano Teachers of Western New York, this is a good introduction to jazz swing. In the key of G minor, the left hand keeps a steady quarter note going most of the time, while the syncopated right hand plays eighth notes and triplets. Whether you’re from Buffalo or points south, this catchy piece will make you want to strut!

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Additional Details
Series: Written For You
Publisher: The FJH Music Company, Inc.
SKU: 98-DW9440

More about this title

Why we love this

Timothy Brown writes for pianists with a sharp ear for what works in the practice room. The Buffalo Strut strips jazz swing down to its essentials without sacrificing musicality, giving intermediate students a genuine entry point into syncopation rather than a watered-down approximation. It's fun to play and sounds like real jazz.

What to expect

Confident, swaggering, and full of forward motion. The steady left hand thumps beneath a nimble right hand that dances across eighth notes and triplets, creating that unmistakable jazz bounce. You feel the groove rather than fighting the meter.

Who it's for

Intermediate pianists ready to move beyond classical repertoire and explore jazz idioms. Students with solid rhythmic foundation who want to understand swing feel and syncopation through an accessible, genuine jazz context.

How to get the most out of it

  • Keep the left hand quarter notes unwavering and relaxed; they're the backbone of the groove, so lock them in first before worrying about the right hand.
  • Work the right hand syncopation and triplets separately at a slow tempo until the phrasing feels natural, then gradually sync it with the steady left hand pulse.
  • Lean into the swing feel by slightly delaying eighth notes on the backbeat; this is where the piece gets its attitude.
  • Record yourself playing the left hand alone, then play along with that recording to internalize the steady pulse while learning the right hand part.

How to use it

Program this in a jazz or contemporary music concert to show where your intermediate pianists are heading stylistically. It also works as a standalone recital piece that connects with audiences who might not expect jazz in a classical program.

Skills your students will build

  • Swing eighth-note feel and jazz rhythmic interpretation
  • Left hand independence and steady pulse maintenance
  • Syncopation and triplet rhythm reading in jazz context
  • Coordination of steady quarter notes against syncopated melodic figures

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