The Beat Goes On Cover Image

The Beat Goes On: Choral Octavo SoundTrax CD

$27.99 USD
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The Beat Goes On Cover Image

The Beat Goes On: Choral Octavo SoundTrax CD

Words and music by Sonny Bono [Sonny & Cher] / arr. Greg Gilpin

Item: 00-39889

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Description
Sonny & Cher hit the Billboard Hot 100 in 1967 with this groovy song and its easily recognizable bass line. A terrific choice for a concert theme, it's sure to leave your audience wanting more (or singing along)! "La, dee, da, dee, da . . . "

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081445502
SKU: 00-39889

More about this title

About the Composer: Sonny Bono

Sonny Bono (1935-1998) was a singer, songwriter, and entertainer whose career spanned decades and multiple entertainment mediums. As one half of the iconic duo Sonny & Cher, he helped define the sound of 1960s pop music and became a cultural ambassador for the era's optimistic spirit. His songwriting gift for crafting memorable melodies and his instinct for what audiences wanted made him a fixture on the charts and, later, in American public life.

For music educators, Sonny's legacy offers access to genuine pop repertoire from a transformative period in American music history. His songs contain the melodic clarity and harmonic accessibility that make pop standards ideal teaching material. Students recognize these titles, connect with the material emotionally, and engage more fully when learning music that already lives in their cultural consciousness.

Why we love this

This arrangement captures everything that made the original a radio staple while serving the needs of a choral ensemble. Greg Gilpin's writing sits comfortably for mixed voices, preserves that iconic bass line in a way singers can actually execute, and maintains the track's infectious groove without oversimplifying it. Audiences light up the moment they hear that opening line, which means your choir gains instant credibility and connection before a single note is sung.

What to expect

Optimistic, energetic, and immediately recognizable. The arrangement carries that unmistakable 1960s pop sensibility: steady groove, accessible melody, and a sense of playfulness that invites sing-alongs. Your audience will find themselves tapping along before the first verse ends.

Who it's for

Directors programming pop repertoire for mixed choirs who want music that resonates instantly with audiences and students alike. This works for ensembles at the intermediate level and above who can handle pop idiom and rhythmic independence.

How to get the most out of it

  • Lock the rhythm section into that recognizable bass line from measure one. This isn't a decorative bass part; it's the song's signature. If your piano and bass (or lowest voices) nail this groove, the entire arrangement sits solidly in place.
  • Keep the tempo steady and slightly forward. The arrangement thrives on that 1967 pop momentum. A dragging tempo flattens the energy and loses the song's essential character.
  • Balance the upper voices so that any melody or countermelody cuts through without overshadowing the main tune. This arrangement likely weaves movement across the parts; clarity matters more than blend in the pop idiom.
  • Use the recorded accompaniment to lock in intonation and feel. Singing against a professional track trains your choir's ears to match pitch precisely and builds confidence in ensemble entrances.

How to use it

Open a concert with this track to establish an upbeat tone and build audience engagement from the start. It pairs naturally with other pop standards or works as a thematic anchor if you're curating a "Greatest Hits" or century-spanning concert. Consider it an ideal choice when you want to demonstrate that your choir sings across genres with the same musicianship and commitment they bring to classical repertoire.

Skills your students will build

  • Maintaining groove and pulse in pop/contemporary idiom
  • Executing steady rhythmic patterns while singing pitched material
  • Balancing melodic lines with supporting harmonic voices
  • Listening to recorded accompaniment and matching intonation and phrasing to a pre-recorded track
  • Interpreting pop style and performance conventions

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