The Abandoned Funhouse Cover Image

The Abandoned Funhouse: String Orchestra Conductor Score

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The Abandoned Funhouse Cover Image

The Abandoned Funhouse: String Orchestra Conductor Score

By Brian Balmages

Level:.5

Item: 98-ST6403S

$5.00
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Description
Written for the true beginner, this piece takes the listener on an eerie tour that can best be described as an unsettling experience with a touch of curiosity and anxiousness. Piano and optional celesta (playable on a keyboard) create a haunting background reminiscent of a film score. Instruments move mostly by stepwise motion and all string crossings involve an open string. No eighth notes are used, and many instruments use only 5 or 6 notes (while violin 1 uses a one octave D Major scale). Highly playable and extremely engaging!

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Additional Details
Series: FJH Beginning Strings
Publisher: The FJH Music Company, Inc.
UPC: 241444579954
SKU: 98-ST6403S

More about this title

About the Composer: Brian Balmages

Brian Balmages

Brian Balmages has built an international reputation as a composer and conductor working across orchestral, band, and chamber idioms. His works have premiered in some of the world's most prestigious venues, Carnegie Hall, the Kennedy Center, the Sydney Opera House, and performed by ensembles ranging from professional orchestras to school programs. He holds membership in the American Bandmasters Association and received the A. Austin Harding Award from the American School Band Directors Association, along with the 2020 NBA William D. Revelli Composition Contest award for Love and Light.

Beyond composition, Balmages conducts regularly with all-state and regional ensembles, university groups, and professional orchestras worldwide. He has guest conducted at the Midwest Clinic, Western International Band Clinic, and major national conferences. His music was performed during the 2013 Presidential Inaugural Prayer Service, and he has received commissions from major institutions including the University of Miami. Currently serving as Director of MakeMusic Publications and Digital Education for Alfred and MakeMusic, he continues to shape music education at the highest levels.

Why we love this

Balmages understands exactly what beginning string orchestras need: musical substance without technical barriers. The stepwise writing, open-string crossings, and limited note sets create immediate playability, yet the film-score orchestration and narrative arc keep students invested. This is genuinely engaging music that doesn't condescend.

What to expect

You step through the gate of an abandoned amusement park. The air is still and strange, occasionally a breeze stirs something familiar, but it feels wrong. Curiosity draws you forward, but unease won't release its grip. The music captures that unsettling contradiction: a place built for joy now feels haunted.

Who it's for

Beginning string orchestras that need festival or concert material with genuine musical character. This works for orchestras still developing rhythmic stability and instrument coordination; the straightforward technical demands let students focus on musicality and ensemble listening.

How to get the most out of it

  • Balance the piano and celesta carefully; they should suggest texture rather than dominate. These instruments set the eerie tone, so resist the urge to let them overwhelm the strings.
  • Shape the stepwise lines expressively even though the note content is simple. Dynamics, vibrato, and phrase direction are where your strings can find nuance.
  • Time any celesta part deliberately if you're using a keyboard player. The haunting effect depends on space and clarity, not speed.

How to use it

Place this early in a concert to grab attention with something unexpected. Its novelty appeal works well as a palate cleanser between more traditional repertoire, or open a pops-style program with it. For festival participation, the engaging story and solid construction make it memorable without requiring advanced technique.

Skills your students will build

  • Reading stepwise motion across multiple octaves and registers
  • Executing smooth string crossings involving open strings
  • Sustaining longer note values and developing phrase control
  • Balancing independent melodic lines while maintaining ensemble cohesion
  • Responding to atmospheric orchestration and programmatic musical narrative

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